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ON A PERSONAL NOTE...

A somewhat meandering set of remembrances and meditations but one that may resonate with readers searching for an artistic...

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A Russian-born dancer and teacher’s debut memoir expresses her love of the arts and tells of her search for new understanding.

Draw, an associate professor of dance at the University of North Carolina School of the Arts, was born in Irkutsk, Siberia,and wanted to dance from a young age. At the age of 7, she began ballet training in a local studio and later progressed to the prestigious Bolshoi Ballet School. This led to a career in dance and dance instruction, in which her creative expression and artistic view of the world were valued. She recounts her experiences in Russia, Canada, Denmark, and, finally, the United States, exploring her relationship to her art and to the craft of teaching, and her insights will appeal not only to those who appreciate ballet, but also those with interest in the creative arts in general. At times, the memoir can slip a little too deeply into philosophical meditations, which can be jarring at times, but it naturally follows the author’s train of thought in a manner that’s refreshing. Particularly intriguing is the context that Draw provides regarding the operations of prestigious ballet schools. She also addresses authoritarianism in education and in government; she grew up in the Soviet Union and, for years, was unable to travel internationally under the Communist regime. Draw’s reflections on the Covid-19 pandemic, in particular, demonstrate her later reawakening to the importance of the arts: “I was only occupied in Zoom calls with my class of 24 dancers from Monday to Friday, 10:00am to 1:00pm. This, to me, seemed like the only truly important thing I had to do.” These lead to an engaging section that explores a variety of topics, from dreams to creativity, that some readers may find inspiring.

A somewhat meandering set of remembrances and meditations but one that may resonate with readers searching for an artistic purpose.

Pub Date: May 27, 2019

ISBN: N/A

Page Count: 177

Publisher: Self

Review Posted Online: June 27, 2022

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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