Children will feel better, too, knowing they have a helpful, honest, and empathetic picture book ready for the next time...
Many books for young readers tackle terrible tantrums, but few address sadness that surfaces perhaps for no reason at all; this gives that muted malaise a shape, an identity, and love.
A child tentatively opens the door and finds Sadness, a towering, amorphous, pale teal figure, waiting on the other side. It has arm and leg stumps but no neck or waist. Text set in a type that emulates handwriting tells children what they already know: “Sometimes Sadness arrives unexpectedly.” The playful interplay between the literal and the figurative makes engaging a tough topic pleasurable. In casting melancholy not as an enemy but as a sometime companion, this powerful picture book inspires empathy and action. The hand-drawn illustrations’ extremely limited, three-color palette (a washed-out blue for Sadness’ ghostly, blobby body, subdued circles of pink on the child’s cheeks, and chocolate brown for the lines that etch their world) similarly channels depression in its constriction of color. The ungendered, light-skinned child trudges alongside Sadness with slumped shoulders as they enact the sound, practical coping tactics introduced by the narrative voice. “Try not to be afraid of Sadness. Give it a name.…Find something that you both enjoy, like drawing.” Front endpapers show depressed people ignoring their sadnesses, while back endpapers show these same characters interacting with them and feeling better.
Children will feel better, too, knowing they have a helpful, honest, and empathetic picture book ready for the next time Sadness shows up for a visit. (Picture book. 4-10)Pub Date: Jan. 29, 2019
ISBN: 978-0-525-70718-9
Page Count: 32
Publisher: Random House
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
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