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WHERE HAPPINESS BEGINS

A playful, poignant, and wonderfully reassuring book for children as they encounter emotional hills and valleys.

Sometimes Happiness skips right in step with your stride; other times it’s hard to locate or hold onto.

Readers find Happiness within this winning book’s covers, where it takes shape as a cheery neon pink, amorphous figure (with stumpy appendages and a funny little twisty topknot). Bright cartoon illustrations show a pale child in T-shirt and slacks engaging Happiness in myriad (literal) ways. Happiness hula-hoops, reads, marches, and eats ice cream with the youngster; it also gets lost in a dark forest, runs away, and nods off to sleep. The narrator, a steady and soothing voice, sums up what’s so very hard to understand about Happiness. “You can try to understand it, collect it, or protect it. / You can try to catch it.…But most of the time Happiness appears to have a will of its own.” Vivid, straightforward vignettes are done in a springtime palette on spacious cloud-white backdrops with nary a black line in sight. They succinctly illustrate just how exhilarating, elusive, and ephemeral Happiness can be. A powerful spread of the child riding out mammoth waves in a small boat aptly describes the bravery and resolve required to submit to overwhelming feelings and see them through. A culminating image of the sleeping child curled in bed, cuddling Happiness close with lemony morning light filling the room, provides great comfort.

A playful, poignant, and wonderfully reassuring book for children as they encounter emotional hills and valleys. (Picture book. 4-10)

Pub Date: Aug. 25, 2020

ISBN: 978-0-593-12770-4

Page Count: 32

Publisher: Random House

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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