A novel meditation on the ways we manufacture memory.
Scam artist or Holocaust orphan? Deserving scorn or pity? A beguiling stranger unsettles a New York Jewish family in this haunting tale of the perils of trust . . . and mistrust.
Her manner naïve, her figure Rodin-lush, Polish sculptress Karolina Staszek surprises. Two cousins, against their wills, fall hard for her, and Mekler (Sunrise Shows Late, 1997, etc.) renders both their resistance and rapture convincing. Newly arrived in New York City in 1967, the comely cipher finds Manhattan part love-in, part freak-out. She sympathizes with Vietnam War protesters clubbed in the streets, takes as a lover the married director of the Polish-American Foundation and lands a job as nanny for the darling daughter of staid accountant Noah Landau. Endangering his marriage, he’s smitten with Karolina, who hardly leads him on, but needs him to believe her story. And it’s a stunner. Coming across a newspaper obit for Noah’s Uncle Jake, Karolina becomes intuitively convinced that she’s Jake’s daughter, given up as a child to a Catholic family back in her homeland. Sheltered on their farm from Nazi invaders, she’d grown up clutching rosaries and a reflexive anti-Semitism. Noah’s intrigued; his cousin, Philip, is suspect. For, isn’t it obvious that this shiksa fraud is after their uncle’s will? It’s money, after all, that Philip’s desperate for, to free him from his dead-end law practice. And yet, as her memories begin trickling back—the names of Jake’s dead wife and daughter, telling details, insider clues—even Philip can’t easily discount her. Then, after coaxing her into a trip back to Poland to research her claim, he finds himself strangely but seriously infatuated. As the family mystery is gradually revealed, Philip must contend with the ghosts of his own bigotry, nearly as fierce as the kind Karolina must herself overcome.
A novel meditation on the ways we manufacture memory.Pub Date: Feb. 1, 2007
ISBN: 1-882593-99-5
Page Count: 264
Publisher: Bridge Works
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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