A beautiful novel whose only fault is ending too soon.

THE PARTING GIFT

A novel about sexuality, acceptance, and Middle Eastern culture.

National Jewish Book Award winner Fallenberg’s (When We Dance on Water, 2011, etc.) most recent novel starts when an unnamed narrator decides to write a letter to Adam, his old college friend, who's sitting across the room from him. Months before, the narrator arrived at Adam’s doorstep in a "middling city of America," providing no explanation as to why, how, or for how long. Launching into a 100-plus-page letter, the narrator explains the events that led up to his arrival. The narrator was visiting Tel Aviv with his friends when he met Uzi, a spice merchant whose smell was “meaty, truly pungent and ripe.” Compelled by the pheromones Uzi was releasing, the narrator decides to leave his friends and stay with Uzi. Immediately, the two engage in an animalistic, uncontrollably sexual relationship: “We were a mess, a heaving, sweating, panting, quivering mess.” Uzi, the typically macho laborer, welcomes the narrator into his home, to the surprise of his family, namely his ex-wife, who lives across the property. But homosexuality, however stigmatized it may be in Israel, doesn’t seem to be that important to Uzi’s family—their main concern is why now. Uzi and the narrator lead a typical life from then on, with the narrator spearheading the expansion of Uzi’s spice business. Everything is going well until Ibrahim, the son of Uzi’s friend, arrives for an apprenticeship. Filled with jealousy and resentment, the narrator progressively loses his mind. Fallenberg’s story is one of heartbreak in which guilt and feelings of inadequacy ultimately cause his characters’ downfalls. Written entirely in the form of a letter to Adam, the story is magnetic, drawing readers in from the first crotch-grab to the last goodbye. But more important, this is a complicated study of the ways in which religious heritage—from codes of honor to familial expectations—interacts with business and acceptance, family and lovers, and self-realization.

A beautiful novel whose only fault is ending too soon.

Pub Date: Sept. 4, 2018

ISBN: 978-1-59051-943-1

Page Count: 256

Publisher: Other Press

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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