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I USED TO BE CHARMING

THE REST OF EVE BABITZ

A spirited, entertaining collection.

Zesty essays by a sly observer.

Journalist and novelist Babitz (Two by Two: Tango, Two-Step, and the L.A. Night, 1999, etc.) gathers nearly 40 personal essays, book reviews, travel pieces, and celebrity profiles, published between 1976 and 1997, that give ebullient testimony to her colorful, star-studded past. “I have always loved scenes,” she writes, “bars where people come in and out in various degrees of flash, despair, gossip, and brilliance.” And she loved parties, too: “Nothing makes me feel worse than knowing I’m missing the right party.” She recounts parties galore: in Los Angeles, Hollywood, Miami, and New York; in swanky apartments, mansions, and nightclubs; attended by the rich, famous, and soon-to-be-famous—e.g., pre-Doors Jim Morrison. Babitz met Morrison at a Sunset Strip club when she was 22 and “propositioned him in three minutes, even before he so much as opened his mouth to sing.” He was sexy, seductive, and, she soon discovered, self-destructive: “Jim drank, got drunk, and wanted to be shown the way to the Next Whiskey Bar.” Sex, drugs, and rock and roll characterized “an entire generation” that became “dazzled by a drug with the density, force, and newness of LSD,” recoiled at images of napalm bombings, and surged together “As One waiting for the next Beatles album to come out.” But the generation learned a crucial lesson, as well: “that the price of freedom is eternal vigilance.” The collection includes a charming recollection of posing nude with Marcel Duchamp; sympathetic portraits of actors James Woods, Nicholas Cage, and Billy Baldwin; and a paean to her friend Linda Ronstadt, whose voice was “opulent with happiness and excellence.” Babitz muses on body-building gym culture; her efforts to lose weight with the help of “diet, amphetamines, and the gentle augmentation of cocaine”; the pain of yoga; and, in a particularly endearing piece, the unexpected pleasure of ballroom dancing. The title essay, never before published, recounts a 1997 accident that resulted in devastating third-degree burns.

A spirited, entertaining collection.

Pub Date: Oct. 1, 2019

ISBN: 978-1-68137-379-9

Page Count: 360

Publisher: New York Review Books

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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