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THE GHOSTS OF DEPARTURE POINT

It's hard to reconcile the Eve Bunting of, say, The Happy Funeral (p. 867, J-181) with the author of crude teenage suspensers like The Waiting Game and this. Vicki West and Ted Clark, two of the 13 victims of auto accidents at Departure Point, meet as ghosts and fall in love. ("It was almost as good as being alive," says narrator Vicki.) Both are haunting the site, they realize, because they were to blame for the accidents they were in and for the death of others. But if they atone for their guilt—the way fellow-ghost Rebecca does for the unrelated accident-death of her son—their ghostly existences will end and they'll lose each other. So: should they or should they not try to prevent further accidents at Departure Point? And suppose the town decides independently to straighten the hazardous road: "Maybe we'll be off the hook, because we at least tried." Apart from the conundrums (and an ingenious balloon-stunt), altogether flat—and tacky even so.

Pub Date: Oct. 1, 1982

ISBN: N/A

Page Count: -

Publisher: Lippincott

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: Oct. 1, 1982

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BETTER THAN A TOUCHDOWN

Earnest and well meaning but not quite a touchdown.

In Philadelphia Eagles quarterback Hurts’ motivational picture book, a youngster rebounds from disappointment.

As Jalen heads off on his first day of school, he daydreams about joining the football team, but his friend Trey soon breaks the bad news. The garden club needed more space for vegetables, so the football field was used for planting. There will be no football this year. Jalen is despondent, but his teachers Mrs. Lee and Mr. Barry and bodega owner Mr. Muhammad offer guidance that spurs him and his friends into positive action. They work to flip a nearby empty lot into a football field, with Jalen echoing his mentors’ adages. Once the field is complete, Jalen feels a swell of pride in his and his friends’ work. While the idea of kids working together to effect change is a laudable one, the bland, wordy storytelling won’t inspire young people or hold their attention. Tired, cliched inspirational comments peppered throughout often slow down the narrative, and many adult readers will find the premise—a school dropping a high-interest sports program in favor of a community garden—wildly unrealistic. Though the illustrations are colorful, with a Disney Junior charm, strange stylistic choices, such as signs with odd combinations of scribbles instead of letters, give them an unpolished look. Like Hurts, Jalen is Black; his community is diverse.

Earnest and well meaning but not quite a touchdown. (Picture book. 4-8)

Pub Date: March 10, 2026

ISBN: 9798217040308

Page Count: 40

Publisher: Flamingo Books

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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