Boy gets dog. Boy loses dog. Boy keeps dog from being killed. William, an 11-year-old still reeling from the separation of his parents and from his grandfather’s death, gets what he thinks is the perfect dog. And indeed Riley is everything a dog should be: loyal, loving, intelligent. Because of their relationship, William begins to feel happier and more complete. He tries to explain his feelings to his best friend, Grace, who perceptively says, “Maybe that’s one of the reasons people get dogs, to kind of close up the empty places inside them.” Then trouble hits. Riley rushes an old horse named the Sultan and hurts it, though exactly what happened is left deliberately and annoyingly unclear. “One minute Riley was snapping at the Sultan’s heels and the Sultan was whinnying and kicking back. The next minute the Sultan was down.” The horse’s owner calls animal control and Riley is taken away to be destroyed. William’s parents hire a lawyer and William begins to wage a publicity campaign to save his pet. But many of the town members, including a local bully, do not support Riley, and forcefully and articulately state the opposing view. By keeping what happened ambiguous and being so evenhanded, the author blunts reader identification with her protagonist and his cause, and the end, which should be moving, fails to touch the heart. At best, a lesson that there are at least two sides to every issue. (Fiction. 8-12)
Pub Date: May 31, 2001
ISBN: 0-06-029141-9
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
When the wild calls, will this good dog answer? For McKinley the malamute is a very good dog, one who takes his contract with his humans seriously: he assiduously guards his human family, especially the pup, Jack. He is also a politically astute dog: he is head dog of the Steamboat Springs dog pack. His retriever friend Aspen, had she the language of pop psychology, would call him a codependent dog: “You watch out for everybody but yourself.” His comfortable life is disturbed when a lamed wolf, Lupin, comes down out of the hills to recruit dogs to join her dwindling pack. McKinley feels drawn to her wildness, while at the same time remaining mindful of his doggy responsibilities. These become immensely more complicated when his pup (inspired by The Jungle Book and Julie of the Wolves) decides to try to run away and live with the wolves even as the human community gears up for a massive wolf hunt and an upstart Irish setter begins to challenge McKinley’s leadership. How can McKinley acquit his obligations to his pup, to Lupin, and to an abused greyhound whose escape sets the plot in motion, while at the same time preserving his position in the pack? Avi (The Secret School, p. 1021, etc.) by and large does a creditable job of keeping the many subplots going, although the action occasionally gets bogged down in discussions of the political doggy climate. The narrative is filtered through a dog’s-eye-view with occasional whimsical touches (streets have names like “Horse Smell Way”), but for the most part the text takes itself as seriously as McKinley does. Almost wholly absent from the story is a real exploration of the mutual affection that underlies the human-dog relationship; without this, McKinley’s decision to stay with his humans rather than follow Lupin is an intellectual, and ultimately unsatisfying, one. (Fiction. 8-12)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83824-7
Page Count: 256
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
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