by Eve Bunting ‧ RELEASE DATE: April 29, 1983
The title and the cover, with the three unglamorous traveling men jigging and waving merrily in a meadow, tell you what to expect from Bunting's brogue-laden tale of the three musicians—Cathal wailing out "The Hunt" on a penny whistle, Sean "bent near in two" over his fiddle, and Young Jimmy playing the melodeon—who travel about, calling all Ireland home, and never stop to marry. "Didn't they have all they needed in each other, with their music to share and a royal welcome wherever they went?" But the years go by without a notice and finally, when even Young Jimmy is close to 70, the three retire to their cottage in Ballycoo, settling in well and playing their music at night. "But there was something wanting"—and no sooner does Cathal recognize what they need—an audience to share the music—than up goes a welcome sign on the door that draws all the neighbors in for a nightly party at home. And "Don't we still go places every night of our lives," asks Cathal, referring to the illusions conjured up by their music. Fair enough, and sufficiently well turned, with Zemach's dancing, gesturing figures and floating musical notes sustaining the lilt—but there's a bit of a tired, machine-made air to the story, and the pictures too seem simply to be supplying what's called for.
Pub Date: April 29, 1983
ISBN: 0153329785
Page Count: 36
Publisher: Harcourt Brace Jovanovich
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: April 1, 1983
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
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New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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