A simple, moving tale of a family in transition
When her parents hold a yard sale to downsize prior to moving, Callie experiences mixed emotions until she realizes she still has what’s most important.
Callie and her parents are moving from a house to a “[s]mall but nice” apartment. Shocked to see “[a]lmost everything” they own for sale in their front yard, Callie watches people sorting through their possessions and asking prices. She’s chagrined about crayon marks on her bed’s headboard that lower the price and angry as a man loads her bike into his truck. When her best friend, Sara, asks why they’re moving, Callie says it has “something to do with money.” Callie hates “people buying our stuff,” and she’s horrified when a woman jokingly asks if she is for sale. Reassured by her parents and back in their “almost empty house,” Callie realizes they “don’t really need anything they sold,” and she and her parents will “fit” into their new place—and that’s what matters. Callie’s first-person observations reveal her distress, while poignant watercolor-and-ink illustrations reinforce her emotions through deft use of white space, color washes and strong outlines that capture postures and facial expressions. Images of forlorn Callie surrounded by a yard full of possessions, sad Callie hugging Sara, distraught Callie grabbing her bike and Callie’s parents comforting her visually tug the heart.
A simple, moving tale of a family in transition . (Picture book. 3-7)Pub Date: April 14, 2015
ISBN: 978-0-7636-6542-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: Feb. 1, 2015
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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