Readers searching for full and consistent contrition may be uncomfortable, but those seeking a greater understanding of...

THE APOLOGY

The Tony Award–winning playwright and bestselling author excavates the violent truths of sexual, physical, and emotional abuse in a painful quest for healing.

Told from the perspective of the father who committed countless wrongs against his child, Ensler’s (In the Body of the World: A Memoir of Cancer and Connection, 2013, etc.) latest is a chilling portrait from the broken mirror of his memories; only in the final pages will readers find the narrator’s candid acceptance of responsibility for this sadistic history. Fully amplifying her father’s warped perceptions, the author provides an exacting, revealing glimpse into the psychology of gaslighting from the view of a perpetrator. Ensler effectively unearths tragic betrayals of trust and the multiple terrors survived by her younger self. Her father’s twisted attention and attempted sabotages persisted as he notes the criticisms he planted to undercut his daughter’s growth and independence at every turn. Paternal contempt followed the author through high school and beyond, and she captures it all in a fevered account that traces periods of resistance, rebellion, self-destruction, creativity, and sobriety in the years she spent seeking to break from the restrictions cast by a father obsessed with violating her agency. Ensler’s father is certain to frustrate readers looking for a more concrete sense of justice, and the graphic catalogue of sexual abuses and physical violence will challenge most readers and trigger some. Still, this is a potent, necessary narrative of healing, and the author succeeds in her “attempt to endow my father with the will and the words to cross the border, and speak the language, of apology so that I can finally be free.” This imagined voice is as intimate as it is alarming, and Ensler also taps into a broader struggle, seeking to hold all perpetrators of abuse accountable for their actions.

Readers searching for full and consistent contrition may be uncomfortable, but those seeking a greater understanding of psychological manipulation will appreciate this powerful examination.

Pub Date: May 14, 2019

ISBN: 978-1-63557-438-8

Page Count: 128

Publisher: Bloomsbury

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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