A clever, humane and deeply satisfying novel.
In Halaban’s (The Perfect Wish, 2013) latest novel, an emotionally traumatized, middle-aged man gets the chance to confront his past and transform its meaning.
In 1977, Maury Green is a 50-year-old real estate salesman living in New Haven, Connecticut. For almost 30 years, he’s seemed old and defeated—ever since he returned home after a short stint in the Israeli army, following his service in World War II, during which he moved bodies in Dachau. Even more soul-killing was his treatment by Israeli soldiers from a rival political faction, who subjected him to a mock execution by firing squad, leaving him humiliated and broken-spirited. At his job, Maury used to be a top salesman, but lately he’s had a long string of lean months; the only respect he ever seems to get is when he writes checks for Jewish fund-raising efforts. At one such event, he recognizes Israeli Gen. Yaacov B. Ronen, the possible future prime minister of Israel and the cruel leader of his long-ago humiliation—but Ronen doesn’t recognize him. When Maury is asked to be a go-between for the general, who has some priceless, ancient scrolls to sell, he conceives a daring plan of revenge and redemption. Halaban makes palpable the little routines and rhythms of Maury’s life, which later become helpful in working out his plans. He effectively establishes Maury as both a nebbish and a mensch; for example, Maury resents his more successful co-workers but also buys a daily breakfast for a homeless woman he calls Queen Esther. As the book goes on, Maury’s deep sensitivity becomes more apparent. The scrolls, for example, become a litmus test. The general cynically exploits them: “ ‘Remember the camps, Maury. Remember the camps,’ he whispered….Maury wasn’t buying.” Later, Maury gains courage and hope from two academics’ passionate, awed response to them: “We have to save the scrolls, Maury. We have to save them,” says one. Throughout, Halaban makes Maury’s transformation believable and highly engaging.
A clever, humane and deeply satisfying novel.Pub Date: Jan. 14, 2014
ISBN: 978-1629010373
Page Count: 322
Publisher: Inkwater Press
Review Posted Online: Oct. 31, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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