A fine thriller that’s intriguing and clever, appreciative of art’s power, and grounded in a sensitive humanity—a winner.

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The Vermeer Conspiracy

In this novel, a Yale student investigating her roommate’s disappearance uncovers clues to a centuries-old art mystery and a shadowy group of art collectors.

Sabrina Gutierrez and Danielle Carruthers have little in common besides being Yale roommates. Sabrina was raised by her Colombian single mother who worked two jobs to support her, and Danielle comes from wealth and privilege. But the two become close friends, Sabrina being touched by Danielle’s kindness. She feels compelled to investigate when Danielle goes missing, especially since she’s certain that Whitmore Verhaast, a charismatic Yale art history professor and Danielle’s senior adviser, is involved. Sabrina has reason to think the worst of Verhaast, and as she digs for information, she discovers additional mysterious disappearances, all somehow linked to Johannes Vermeer; a convent in Belgium; and a secret, powerful cabal of art collectors with Nazi ties. And what of Hanna Deursen—a mistress and protégé of Vermeer’s fellow artist Carel Fabritius—whom Verhaast warned Danielle to stop researching? Sabrina’s investigations could bring Verhaast down and destroy some received notions of art history, but powerful forces are amassed against her. Halaban (The Last Commission, 2014, etc.) offers something rare in thriller novels: a strong female friendship and an honest-to-goodness heroine who has no extraordinary skills or weapons beyond her courage, intelligence, compassion, and determination. Bombastic egotists like Dan Brown’s Robert Langdon often inhabit thriller plots; what a pleasure it is to see his ilk skewered in the loathsome Verhaast. In contrast, Sabrina’s willingness to put pride aside if necessary and play dumb stand out as a special kind of bravery few authors would highlight in a badass-worshipping world. Similarly, Halaban’s characterization avoids clichés and is instead both deft and well-rounded. Danielle’s mother, for example, is no snobby Westport matron but a kind, thoughtful woman who treats Sabrina like family. Another nice touch is Sabrina’s growing trust in her sweet boyfriend, Josh, handled with unsentimental but moving realism. The plot moves briskly, with a growing sense of tension, toward a satisfying conclusion.

A fine thriller that’s intriguing and clever, appreciative of art’s power, and grounded in a sensitive humanity—a winner.  

Pub Date: April 17, 2015

ISBN: 978-1-62901-239-1

Page Count: 182

Publisher: Inkwater Press

Review Posted Online: Sept. 4, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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