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WILLIAM WELLS BROWN

AN AFRICAN-AMERICAN LIFE

A solid biography of a deserving subject.

A scholar fills in the gaps in the life of a former slave who became one of the most famous African-Americans of the 19th century.

Greenspan (English/Southern Methodist Univ.; editor: William Wells Brown: A Reader, 2008, etc.) mined the archives to discover how William Wells Brown (a name adopted long after his birth) rose from a nondescript slave probably born in 1814 to become a man of letters, not to mention a medical doctor, before his death in 1884. During the later decades of his life, Brown was the equal of Frederick Douglass as an influential African-American polymath. Like Douglass, Brown crusaded for civil rights. Even after he had won esteem and could live comfortably, he would travel alone to the Deep South, knowing he would be harassed and possibly even murdered. Greenspan is no hagiographer. He understands, for example, that Brown's written works (most famously the novel Clotel) are far from canonical. But the author is openly admiring, and rightly so, of Brown's daring escape from slavery, self-education, powerful public speaking on the anti-slavery circuit, creative approach to the civil rights campaign and efforts to win public office through candidacy in legitimate elections. During the 19th century, the lives of slaves yielded almost no reliable documentation, so Greenspan immersed himself in pre–Civil War chronicles of slave culture to calculate the most likely circumstances of Brown's life. The author’s informed speculation offers a window not only into Brown's suffering and rise, but also the travails (and occasional triumphs) of countless slaves who tried to use their freedom wisely. Greenspan ably navigates Brown’s life and demonstrates how he became a problem to both his slave masters and to any other bigots who could not fathom such intelligence in a lowly slave from Kentucky.

A solid biography of a deserving subject.

Pub Date: Oct. 6, 2014

ISBN: 978-0-393-24090-0

Page Count: 448

Publisher: Norton

Review Posted Online: May 31, 2014

Kirkus Reviews Issue: June 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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