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DEEP AS THE MARROW

Cynically formulaic plot-by-numbers from Wilson, a competent, derivative suspense factory best known for his Nazi-vampire series, beginning with The Keep (1981). Taking a break from his mostly well-received medical thrillers (Implant, 1995, etc.), Wilson tries his hand at Washington intrigue with a tale so tiresomely unoriginal that not even the bad guy's nifty Internet techno-tricks can pique the reader's interest. Dr. John VanDuyne is the personal physician of liberal-leaning President Thomas Winston. Winston gives a televised speech, announcing that America has lost the war on drugs and that he's going to legalize and tax illicit drugs to prop up his administration's sagging budget. Soon after, VanDuyne gets an e- mail message informing him that his little daughter has been abducted. To get Katie back, he's told, he must inject Winston with an antibiotic having potentially lethal side effects, thus incapacitating, if not killing, him. It seems there's an international conference on illicit drugs coming up, and Carlos Salinas, a wily Colombian druglord who doesn't want his cartel's $50 billion business to disappear, thinks that only a scheme this stupid will prevent Winston from unleashing his awesome charismatic presence at the conference and making the dealers' global business evaporate. The author goes for a blood-is-thicker-than-money conceit as one of the kidnappers, a ditsy pill-popping Jersey woman named Poppy Mulliner, finds her maternal urges awakened by Katie. Poppy snatches the child from her gang and flees to a shack in the New Jersey Pine Barrens, not far from where Poppy was born. Confident that her relatives will protect her from her vengeful associates, as well as from Dr. VanDuyne, VanDuyne's klutzy ex- wife, bickering Secret Service and FBI agents, and, finally, a DEA mole, Poppy makes a stand for family values in a dark and stormy climax. Realistic techno and medical detail won't budge a novel mired with plot clichÇs and stale characters. (Radio satellite tour)

Pub Date: April 15, 1997

ISBN: 0-312-86264-4

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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