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NIGHTKILL

Semimedical thriller by Wilson, a practicing physician (Deep as the Marrow, p. 95, etc.) and sometime horror novelist (The Select, 1994, etc.), who joins Lyon, also a novelist of medical thrillers, to produce a mob/medical story without a hint of the occult. Jake Nacht, a hit man with 17 kills, works for the mob on a freelance basis. As he sees it, he's helping haul out the trash by killing mobsters. An orphan, Jake is the adopted son of Sarge, an ex-Marine sniper with some 250 wartime kills. Sarge, who may or may not be psychotic, served for some time as a mob assassin, and has done well by his efforts. He trains Jake to perfection, then dies in a confrontation gone wrong: He forces Jake to kill him in a variation of ``the most dangerous game'' of human hunting human. Later, the remorseless Jake quickly becomes one of the mob's most reliable freelancers—until, that is, he's caught in a double- cross. Mr. C., a mob godfather, has his henchman Fredo hire Jake to kill US Senator Weingarten during a speech at an outdoor rally. Despite misgivings, Jake sets about the job, but just as he's about to take the senator out he learns that he's been set up. Shot by a detective who's been tipped off to his presence, Jake is paralyzed, his spine severed. But there's no evidence against him, and he's likely to collect a cool $5 million from the city. It doesn't matter: A depressed Jake starts on rehab convinced that he would rather die. Then nurse Angela and her uncle Dr. Graham sneak him into a new, highly experimental program aimed at rebuilding spinal cords. Jake recovers, secretly, and sets out to avenge himself on Mr. C and Fredo. Fast-moving, yes. Inventive, no.

Pub Date: Oct. 1, 1997

ISBN: 0-312-85910-4

Page Count: 288

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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ARTEMIS

One small step, no giant leaps.

Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.

Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”

One small step, no giant leaps.

Pub Date: Nov. 14, 2017

ISBN: 978-0-553-44812-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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THE INSTITUTE

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

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The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 3, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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