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REPRISAL

First-class horror novel and third volume in a malignant- entity series begun with The Keep (1981) and Reborn (1990). The Keep (Nazis versus vampires) faded into clichÇ after the first half, but Reborn (a clone of Rosemary's Baby) held together for a brilliantly ghoulish climax. In Reborn, the son of clone Jim Hanley, at the moment of the son's conception, became the host of the evil entity living in Jim. Jim died but mother Carol now finds herself raising an incredibly intelligent freak, a baby who devours newspapers, books, and TV journalism as soon as he can sit up. At age five the boy takes over family finances and by age fifteen has run a nest egg up to $60 million. Then, with forged papers making him an adult, he goes off to do undergraduate work in psychology at Darnell University in North Carolina—although why a supermillionaire needs a degree in psychology is not clear. This fascinating story is, unfortunately, treated almost as a subplot while the novel's true subplot gets major space. But the secondary story has a fabulous payoff, in which a seven-year-old orphan—adopted by a financially upscale, physically hollow zombie who looks like Teddy Roosevelt—is crucified to the bedroom wall and remains alive (though completely drained of blood) and in fact is still alive when buried at night by a lapsed Catholic priest and dug up again five years later. Meanwhile, the entity, now known as Rafe Losmara, has seduced overweight math teacher Lisl Whitman into his orbit as a way of getting at the lapsed Catholic priest, whom Rafe sees as his (un)natural enemy, and the tie between Lisl and Rafe, as he leads her into moral decay (shoplifting without guilt), gives us the novel's richest pages, with the reader wondering if perhaps Rafe isn't onto something with his supraman swill.... The conventional climax is only a springboard for Rafe's big ploy in the next novel. Wilson's most gripping yet, with his strongest characterizations.

Pub Date: Sept. 15, 1991

ISBN: 0-913165-59-X

Page Count: 350

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1991

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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