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REPRISAL

First-class horror novel and third volume in a malignant- entity series begun with The Keep (1981) and Reborn (1990). The Keep (Nazis versus vampires) faded into clichÇ after the first half, but Reborn (a clone of Rosemary's Baby) held together for a brilliantly ghoulish climax. In Reborn, the son of clone Jim Hanley, at the moment of the son's conception, became the host of the evil entity living in Jim. Jim died but mother Carol now finds herself raising an incredibly intelligent freak, a baby who devours newspapers, books, and TV journalism as soon as he can sit up. At age five the boy takes over family finances and by age fifteen has run a nest egg up to $60 million. Then, with forged papers making him an adult, he goes off to do undergraduate work in psychology at Darnell University in North Carolina—although why a supermillionaire needs a degree in psychology is not clear. This fascinating story is, unfortunately, treated almost as a subplot while the novel's true subplot gets major space. But the secondary story has a fabulous payoff, in which a seven-year-old orphan—adopted by a financially upscale, physically hollow zombie who looks like Teddy Roosevelt—is crucified to the bedroom wall and remains alive (though completely drained of blood) and in fact is still alive when buried at night by a lapsed Catholic priest and dug up again five years later. Meanwhile, the entity, now known as Rafe Losmara, has seduced overweight math teacher Lisl Whitman into his orbit as a way of getting at the lapsed Catholic priest, whom Rafe sees as his (un)natural enemy, and the tie between Lisl and Rafe, as he leads her into moral decay (shoplifting without guilt), gives us the novel's richest pages, with the reader wondering if perhaps Rafe isn't onto something with his supraman swill.... The conventional climax is only a springboard for Rafe's big ploy in the next novel. Wilson's most gripping yet, with his strongest characterizations.

Pub Date: Sept. 15, 1991

ISBN: 0-913165-59-X

Page Count: 350

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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