Small-scope horror tale set in Manhattan by the author of Reprisal (1991), Reborn (1990), and The Keep (1981). A diversion from Wilson's malignant-entity series (see Tessier, above), not to be confused with the new television sitcom Sibs. The twins Kara and Kelly Wade, once as pert and bright as the Doublemint Twins, are now into their thirties. They've parted. Kelly's a nurse at St. Vincent's Hospital in Greenwich Village, while Kara's home with a degree in women's studies, writing a feminist book. Kara fled Manhattan because, secretly pregnant with a Manhattan cop's baby and knowing the cop would never leave hateful New York, she's had their daughter, Jill, without telling him. Now Rob Harris, the cop, is a detective in Homicide and calls Kara to tell her that Kelly has fallen from the twelfth floor of the Plaza under grisly circumstances. Kara identifies her sister's vastly mutilated corpse, then uncovers a secret life around Kelly. Kelly had a multiple-personality disorder, according to her psychiatrist, Dr. Gates, and as ``Ingrid'' would put on a red- leather minidress, pick up men in the Plaza Hotel's Oak Bar, then, upstairs in her room, have sex with them gratis, often two at a time. During one of these scenes a lover bit her shoulder. The pain drove out Ingrid, and horrified Kelly found herself servicing two men and leaped through the window. Now, does Kara have the same personality disorder, produced by the same childhood trauma (incest with their father) that Kelly had revealed under hypnosis? Kara goes under hypnosis as well and indeed a new Kara, ``Janine,'' appears and starts writing notes to Kara. Janine, too, is a post midnight sexpot. But we quickly sense that Dr. Gates has faked the twins' disorder and is himself ``Ingrid'' and ``Janine''! Or is he, too, being directed by an evil entity? Kara's nine-year-old Jill, a budding feminist, has all the novel's best lines, especially when objecting to the cleavage in a Penthouse she finds in Rob's bathroom. Otherwise, standard stuff.
Pub Date: Nov. 15, 1991
ISBN: 0-913165-61-6
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1991
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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