Delightfully irreverent and so very entertaining.
From the co-creator of Deadpool: Two unlikely suburban misfits team up to solve two very real murders in “a small American town rife with racial and cultural prejudice.”
Kenneth Lee peaked early as a reporter when he broke a major sex scandal; unfortunately, those glory days are far behind him. Andrea Stern, once an up-and-coming FBI profiler responsible for catching a serial killer, is now hugely pregnant with her fifth child and spends her days toting her other four kids to and from the train station to drop off and pick up her commuter husband. When Andrea pulls into a gas station parking lot and happens upon a murder scene—the victim was Satkunananthan Sasmal, who'd been pumping gas—her sharp eyes and analytical brain instantly register some key details. A few days later, after a chance encounter with some Indian American women who lay out the realities of racism in the community—they can’t even get their requests to put pools in their backyards approved, much less count on the cops to solve a murder—Andrea is hit with an idea that takes her deep into the local records. She teams up with Kenny, whom she knew when they were teenagers, and soon they're uncovering bones from a decades-old murder that is directly related to the recent shooting. Along the way, Andrea discovers how much she loves using her brain for something other than planning her children’s schedules, and Kenny reestablishes his willingness to do whatever he can to break a major story. (As Andrea says, “He was a dick, but he was good at it.”) The obvious play on dicks really sums up the tone of the novel. Satire is hard to establish and even harder to maintain, but Nicieza flawlessly critiques the pervasiveness of suburban racism, the challenge of stay-at-home motherhood, the toxic culture of White masculinity, and the self-aggrandizing role of the media, and he does it with a pair of completely flawed yet appealing characters and a diverse cast of voices.
Delightfully irreverent and so very entertaining.Pub Date: June 22, 2021
ISBN: 978-0-593-19126-2
Page Count: 400
Publisher: Putnam
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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