Ng’s novel finds its force in the latter stages, which explore the bond between a lively, confident American daughter and...
Ng’s second novel (Bone, 1993) depicts the tensions and affections of a complex Chinese-American family in San Francisco.
In 1952, Jack Moon Szeto is admitted to the United States as the “son of a native,” Gold Szeto, a businessman and fixer for whom he goes to work as a butcher. Jack becomes something of a Chinatown lothario (“Lord of the Peach Blossoms, lucky in the garden” to use his flowery phrase), but that ends when he falls in love with Joice, daughter of the neighborhood’s corpse-washer and thus, to many, untouchable by association. When Joice becomes pregnant with a daughter and Gold arranges for Jack’s Chinese bride—actually a mistress for his sponsor—to join her “husband” stateside, Jack makes a fateful decision. He informs on Gold to the McCarthy-era Chinese Confession Program, and Gold is deported—not before issuing the order that Jack surrender a pound of flesh (in this case a hand) for his betrayal. Joice, who longs to escape the physical and spiritual confines of Chinatown, moves away and marries. The first half of the book is written in spare, lyrical prose that can be affecting but also frustrating; there’s too much grand abstraction, too much dialogue like “Don’t be a coolie of love!” and “A muddled heart never leads the hero to a new dawn.” Yet Ng also provides brisk, unadorned descriptions of butchery, fortune-cookie making, and more. The book picks up considerably in the second half, which focuses on Jack’s American-born daughter and her loving but fractious relationship with her father, who’s hampered by poor English, his physical handicap and a childhood whose central, awful event she can scarcely imagine. Here the author discovers her true subject: the cultural gulf between immigrants and their children, between aliens and citizens, the naturalized and the native.
Ng’s novel finds its force in the latter stages, which explore the bond between a lively, confident American daughter and her remote Chinese father.Pub Date: May 13, 2008
ISBN: 978-0-7868-6097-5
Page Count: 256
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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