by Fanny Singer photographed by Brigitte Lacombe ‧ RELEASE DATE: March 31, 2020
An intimate homage to an iconic restaurateur.
Alice Waters’ daughter recalls growing up with an abundance of food, beauty, and warmth.
Swaddled in dish towels and set inside a huge salad bowl, newborn Singer (co-author, with Waters: My Pantry, 2015) was a regular visitor at Chez Panisse, her mother’s famed Berkeley restaurant, while Waters conferred with the manager or tasted dishes. “I don’t remember this, of course,” Singer writes, “but I feel like my disproportionate love of salad might have something to do with my early kitchen cribs.” Singer’s charming narrative, interwoven with Lacombe’s painterly black-and-white photographs, bursts with sensuous descriptions of tastes, fragrances, and textures as she recounts her “very rich and full and just a little bit unconventional” young life. Her remarkable school lunches featured greens with vinaigrette, kiwi in orange juice, and garlic toast that her classmates coveted. At home, even breakfast was transcendent: “a perfectly soft-boiled blue Araucana egg, with a marigold-hued liquid center into which I would delight in plunging buttered toast ‘soldiers.’” Instructions for making this dish, along with 59 other recipes—her mother’s garlicky noodle soup, her grandfather’s special pancakes, and, not surprisingly, several salads—add delectable details to the colorful narrative. Although sweet confections sometimes appeared for dessert—there are recipes for persimmon pudding and quince meringue ice cream—more likely the end of a meal was “the most perfect handful of raspberries” from their own garden or the sweetest fig. Only a perfectly ripe fruit met her mother’s exacting standards. Singer’s culinary adventures with her parents took her to the south of France as well as on a research trip of France’s great restaurants and wineries; her father, she adds, is “a committed oenophile and professional wine merchant.” Because neither parent spoke French, Singer, who went to a bilingual French school, served as official interpreter at age 9. Waters, who has been the subject of much media attention and multiple books, including her own memoir, Coming to My Senses (2017), is lovingly portrayed throughout Singer’s book. Her mother, writes the author, “is at once a kind of spiritual compass and a salve.”
An intimate homage to an iconic restaurateur.Pub Date: March 31, 2020
ISBN: 978-1-5247-3251-6
Page Count: 336
Publisher: Knopf
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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