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HIGH LATITUDES

AN ARCTIC JOURNEY

A fine slice out of Mowat time, along with the sound of voices so remote that they take your breath away and rouse your...

A 1966 journey across northern Canada, much of it above the Arctic Circle.

Here’s vintage Mowat (Aftermath, 1996, etc.), highly evocative and in full piss-and-vinegar mode, from the land he loves best. The Canadian government, in 1966, is in the midst of a “clearance scheme” to move Inuit populations to locations more convenient for controlling them. This, justly, raises Mowat’s ire, especially as it’s accompanied by moves to exploit any resources found in the area. The propaganda message sent out by the Canadian government was that the far north was a barren wasteland with few inhabitants, and it’s Mowat’s intent to disabuse Canadians of such malarkey and let the people who live in the area, both the Inuit and those of European origin, speak for themselves. Long passages are in the words of the inhabitants, from administrators who realize that, in a better world, the Inuits’ “real jobs would be doing what they’ve always done, and really like doing” to an Inuit explaining how his people “mostly think and talk about the past. Never talking about the future more than a day or two away. . . . Life for them is right now; but looking back too.” The notion is particularly poignant as the Inuits’ cultural history is falling apart all around them as a result of the relocation program. Mowat deploys a two-pronged attack. Fully appreciating that some Canadians may not give a hoot about the Inuit, he sharply describes the vibrant, beautiful, living world of the Arctic north and its fabulous (albeit overhunted) wildlife. But never far away are instances of segregation, disease, missionary interference, wrongheaded—culturally genocidal—governmental actions. Mowat isn’t one to let them pass unmentioned.

A fine slice out of Mowat time, along with the sound of voices so remote that they take your breath away and rouse your instinct to wonder—just as Mowat wished.

Pub Date: March 1, 2003

ISBN: 1-58642-061-5

Page Count: 304

Publisher: Steerforth

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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