Another act of literary terrorism from British satirist and live-wire Weldon (The Cloning of Joanna May, 1989, etc.), only this time far more wide-ranging and rabidly polemic than even before. Weldon's subject now is Eleanor Darcy, the high priestess of Darcian Monetarism, a utopian ideology aimed at saving shabby old Thatcherian England from the ills of inflation by phasing out money altogether. The theory, ostensibly the brainchild of Eleanor's second husband (now in prison because of the chaos that ensued when the economic strategy was implemented for one morning only), really came from Eleanor herself, known in the press as Rasputin's Bride. And Eleanor, being interviewed in this novel by two journalists—trim Valerie, writing for the women's rag Aura, and Hugo, of the higher-toned Independent—has thoughts of a world of topics besides money: namechanging, a practice that will be encouraged in Darcy's utopia ("My advice to everyone is to change their names at once if they're the least unhappy with their lives"); sex, the source of all good in the world; Marxism and Catholicism, both palliatives; elocution and miscegenation, two waves of the future, and much more. Piecing together hints from the evasive Eleanor, Valerie concocts a personal biography for her magazine's readers, revealing that Eleanor, born with a caul and originally named Apricot (after the shade of her mother's nightie), is a bigamist, social-climber, and witch who wrecked the lives of the men who loved her. Hugo concentrates on the theoretical, and on Valerie, who becomes his mistress. During the time they're in contact with Eleanor, the two of them leave their spouses and children and shack up together in a Holiday Inn. Once their pieces are finished, though, the affair collapses—presumably a romantic utopia, given too little time. Nonetheless, Eleanor has changed their lives, and will change others, since Hugo starts a religion dedicated to her. An ideological mine-field, with Weldon-as-Eleanor birthing a wild idea a minute. Still, some shrapnel hits home, for what Weldon seems to be saying is that desperate, possibly lunatic measures are called for if we're to transform a desperately sick world.
Pub Date: March 1, 1991
ISBN: 670-83645-1
Page Count: -
Publisher: Viking
Review Posted Online: May 19, 2010
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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