Weldon's latest satiric bauble about a marriage on the rocks (Life Force, 1992, etc.). ``We're all Serbs and Croats and Bosnians at heart,'' says the pregnant Annette Horrocks, and then goes on to describe a news photo she saw of several young men sawing through someone's neck in the former Yugoslavia. The picture parallels her own life, Annette says—only her husband has ``been sawing through the inside of my head, not the outside, that's all.'' Indeed, Spicer Horrocks has been—although he sees the changes he's making in his life as positive and necessary. He and Annette have been married for ten years when she starts noticing strange signs—he takes up astrology, pores over a book entitled Cutting Free from Hurtful Ties, won't let Annette speak during sex, and castigates her for everything. She tries to talk it out, with Spicer turning it all back on her; indulges him by going into therapy, only to be sexually assaulted by the shrink of Spicer's choice; and smiles and accepts the blame (she calls this doing a ``Tweetie-pie''). Her best friend, Gilda, suspects that Spicer's jealous because Annette's about to publish her first novel. But Spicer's Jungian analyst, Dr. Rhea Marks, has another explanation: ``Spicer is leaving you, Mrs. Horrocks, and the material world.'' Meanwhile, Spicer avoids putting the house in Annette's name and stashes away cash—to ease his passing to another plane? It takes an excruciatingly long time for Annette to stop letting herself be victimized...but she does. This begins with all the wicked froth we've come to expect from the author of The Live and Loves of a She-Devil (1984), then crashes into a wall of pessimism about relations between the sexes- -making it one of Weldon's bitterest efforts so far. She usually distributes her satire more evenhandedly; here, husbands and therapists get coated with it, while the wife comes out clean. Not Weldon's best, then, but bracing stuff nonetheless.
Pub Date: Oct. 1, 1993
ISBN: 0-670-84148-X
Page Count: 224
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
IN THE NEWS
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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