As usual, Kellerman (Killing Season, 2017, etc.) is more interested in the big scenes than in the cartilage that binds them...

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WALKING SHADOWS

An unwelcome discovery on the grounds of an empty house brings Detective Peter Decker, who retired from the LAPD, to the allegedly quiet town of Greenbury, New York, up against a criminal plot that stretches back 20 years.

The thrill-seeking kids who smashed seven mailboxes on Canterbury Lane admit under questioning that they found the body of Brady Neil in the yard of an absent vacationer before Decker did but insist they didn’t kill him even though he also seems to have been attacked with a baseball bat. Since Decker’s not about to credit the punks with either the animus or the enterprise to have clubbed Brady to death, he has to look elsewhere. And there are so many places to look that Decker’s soon ruefully observing, “Sometimes crimes have too few pieces to solve. I have too many.” Brady’s father, Brandon Gratz, has been in prison for 20 years for robbing and killing jewelers Lydia and Glen Levine. New evidence suggests that Brandon, though clearly a lowlife, may have been innocent and that at least some of the cops in neighboring Hamilton may have known it. As he digs deeper for evidence, Decker has to walk a narrow line between antagonizing the current Hamilton police chief, Victor Baccus, whose department has access to information Decker needs, and serving as his lackey by putting his daughter, Officer Lenora Baccus, on the case. Fortunately, Lennie turns out to be an excellent detective. Unfortunately, as soon as she starts to get results, her father abruptly pulls her off. Decker continues working anyway. So does Lennie, setting up a charged relationship that’s the headline story here.

As usual, Kellerman (Killing Season, 2017, etc.) is more interested in the big scenes than in the cartilage that binds them together. The result is a methodical procedural whose method is to look everywhere, ask everything, and deal with the inevitable disappointment when the pieces just refuse to come together.

Pub Date: Aug. 28, 2018

ISBN: 978-0-06-242498-3

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: June 18, 2018

Kirkus Reviews Issue: July 1, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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