Day is delightfully good company and has an interesting story to tell, but a richer work would have made more room for a...
Actress Day, best known for her “geek goddess” roles in such nerd-culture touchstones as the Web series The Guild and various Joss Whedon projects, recounts her unusual upbringing and the neuroses-strewn path that led to her obsessions with fantasy, science fiction, gaming, and online communities.
Diffidently home schooled by an eccentric, indulgent mother, the author and her brother were largely left to pursue their particular passions in an environment of social isolation. Day responded by immersing herself in the imaginative worlds of escapist genre fiction and video games, forging communities of like-minded introverts over the nascent World Wide Web—when she was not busy excelling at advanced mathematics and the violin, achievements that would land her in college at an age years younger than her peers, further exacerbating her social awkwardness. Day writes charmingly of her cluelessness and determination throughout her career, but there is a dark undercurrent to her drive to succeed, no matter how arbitrary the reward. From “leveling up” in an online game to maintaining a perfect (and perfectly useless, post-graduation) GPA, Day has always pursued her goals with a manic focus seemingly driven entirely by fear and panicky self-doubt. This compulsive nature led to addiction problems, interpersonal chaos, and extended periods of depression. The author’s feelings about her prominent role in the misogyny-drenched “Gamergate” scandal, which she reveals here with raw anger and hurt simmering beneath her breezy, kooky gal patter, suggest a painful ambivalence about the costs and rewards of the indoor, fantastical, virtual life—a fascinating thread that is too glancingly addressed throughout the book.
Day is delightfully good company and has an interesting story to tell, but a richer work would have made more room for a consideration of the darker aspects of geek culture.Pub Date: Aug. 11, 2015
ISBN: 978-1-4767-8565-3
Page Count: 288
Publisher: N/A
Review Posted Online: May 13, 2015
Kirkus Reviews Issue: June 1, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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