Day is delightfully good company and has an interesting story to tell, but a richer work would have made more room for a...

YOU'RE NEVER WEIRD ON THE INTERNET (ALMOST)

A MEMOIR

Actress Day, best known for her “geek goddess” roles in such nerd-culture touchstones as the Web series The Guild and various Joss Whedon projects, recounts her unusual upbringing and the neuroses-strewn path that led to her obsessions with fantasy, science fiction, gaming, and online communities.

Diffidently home schooled by an eccentric, indulgent mother, the author and her brother were largely left to pursue their particular passions in an environment of social isolation. Day responded by immersing herself in the imaginative worlds of escapist genre fiction and video games, forging communities of like-minded introverts over the nascent World Wide Web—when she was not busy excelling at advanced mathematics and the violin, achievements that would land her in college at an age years younger than her peers, further exacerbating her social awkwardness. Day writes charmingly of her cluelessness and determination throughout her career, but there is a dark undercurrent to her drive to succeed, no matter how arbitrary the reward. From “leveling up” in an online game to maintaining a perfect (and perfectly useless, post-graduation) GPA, Day has always pursued her goals with a manic focus seemingly driven entirely by fear and panicky self-doubt. This compulsive nature led to addiction problems, interpersonal chaos, and extended periods of depression. The author’s feelings about her prominent role in the misogyny-drenched “Gamergate” scandal, which she reveals here with raw anger and hurt simmering beneath her breezy, kooky gal patter, suggest a painful ambivalence about the costs and rewards of the indoor, fantastical, virtual life—a fascinating thread that is too glancingly addressed throughout the book.

Day is delightfully good company and has an interesting story to tell, but a richer work would have made more room for a consideration of the darker aspects of geek culture.

Pub Date: Aug. 11, 2015

ISBN: 978-1-4767-8565-3

Page Count: 288

Publisher: Touchstone/Simon & Schuster

Review Posted Online: May 14, 2015

Kirkus Reviews Issue: June 1, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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