In taut, sometimes-tense prose, Johnson shows us so many varieties of human pain as well as many glimmers of hope.

EVERYWHERE HOME

A LIFE IN ESSAYS

A writer with deep Appalachian roots rehearses his life story, positioning it under the most exacting of microscopes.

Harper’s contributor Johnson (The Man Who Loved Birds, 2016, etc.), who was born and raised “in the Kentucky Knobs, a westward-flung, northwest-curling finger of the Appalachians,” has a variety of topics on his agenda in these essays, which date to as early as 1989 and as recently as 2016; some appear for the first time here. His dawning awareness that he is gay, the death of his lover to AIDS in 1990 (his most painful memories of this occur in several essays), his struggles with religion (somewhat resolved in recent years), his determination to recognize love as the key to all—these subjects he visits throughout. In another way, Johnson, whose first name came from a Trappist monk who lived near his home, reveals other aspects of his personality and character less directly. Numerous literary allusions, for example, show his wide and eclectic reading. William James, George Eliot, Sophocles, Lewis Thomas, Thomas Merton, Mark Twain, and numerous others rise up continually in his prose to reaffirm or confirm a point, to illustrate, or to summarize. Johnson also evinces a fairly liberal political sensibility, and his 2014 essay on war and pacifism, “Power and Obedience: Restoring Pacifism to American Politics,” reveals the depths of his opposition to war. Johnson writes in a learned, serious, and occasionally erudite style, and he makes little use of irony or humor. Throughout the collection, we infer much about his personal life: his Kentucky boyhood, his undergraduate years at Stanford, and a bit about his teaching. One brief essay, “Witness and Storyteller,” from 2008, is even a tad erotic.

In taut, sometimes-tense prose, Johnson shows us so many varieties of human pain as well as many glimmers of hope.

Pub Date: May 16, 2017

ISBN: 978-1-941411-43-8

Page Count: 216

Publisher: Sarabande

Review Posted Online: March 7, 2017

Kirkus Reviews Issue: March 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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