by Fergus M. Bordewich ‧ RELEASE DATE: April 1, 2005
Rich in detail and solid storytelling: sure to awaken interest in the peculiar anti-institution.
A vivid reconstruction of abolitionism’s most daring act of rebellion, “an epic of high drama, moral courage, religious inspiration, and unexpected personal transformations played out by a cast of extraordinary personalities.”
The abolitionist movement, Bordewich (My Mother’s Ghost, 2000, etc.) notes, began not long after the Revolutionary War ended, and it began in the revolutionary hotbed of Philadelphia. Its earliest members were religious activists, though as the 19th century progressed, the Underground Railroad—the term refers to an interlocking system of routes and way stations by which slaves were afforded escape—became hydra-headed, with very little central direction, a great deal of individual initiative, and no set ideology save for one overarching goal: “to provide aid to any fugitive slave who asked for it.” In those early days, Bordewich writes, utmost secrecy was of the essence, for slavery was allowed and practiced everywhere in the US but Vermont; gradually, however, the North shed the “peculiar institution,” while Thomas Jefferson hazarded that the South would soon follow. Thus turn-of-the-century law required that fugitive slaves be returned to their owners, one reason that the Underground Railroad’s favored terminus was enlightened Canada, where fugitives found work as skilled construction workers, “as shoemakers, tailors, barbers, cooks, and agricultural laborers,” and even as some of the first tourist guides at Niagara Falls. Things became more complicated when slave states and free states butted heads: for instance, when free blacks in Cincinnati surrounded slaves on the way to Kentucky and urged them not to go any farther, and when a Philadelphia court ruled that the slave of a South Carolina senator resident in the city was a free man, having lived in Pennsylvania long enough to establish legal residency. It might have shocked some of the pacifist founders of the Underground Railroad, Bordewich ventures, to learn that their actions would in time help spark the Civil War—and perhaps even to know that abolitionism would directly beget feminism.
Rich in detail and solid storytelling: sure to awaken interest in the peculiar anti-institution.Pub Date: April 1, 2005
ISBN: 0-06-052430-8
Page Count: 528
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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