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PARADAIS

A fever dream that's as hard to read as it is brilliant.

A poor gardener teams up with a disturbed young man to horrifying results in this nightmarish novel.

With her second novel to be translated into English, following Hurricane Season (2020), Mexican author Melchor proves that she’s got nightmares to spare. This slim volume follows Polo, a gardener in a posh housing development who spends his evenings getting drunk and chain-smoking cigarettes with Franco, the grandson of two of the complex’s residents. Polo can’t stand Franco, not just because of his family’s wealth, but because of his incessant fantasizing about Marián Maroño, another resident of the development and the wealthy wife of a TV personality. Polo only attends their nightly meetings out of boredom and because he can’t stand his own home, where he lives with his hectoring mother and a pregnant cousin who won’t stop flirting with him. He doesn’t get Franco’s obsession with Marián, whom he considers “a whore, a gold digger” with an “unbearable family, a bunch of smug pricks who thought the world revolved around them.” Polo is so desperate to escape his home that when Franco reveals a plan that will both enrich Polo and realize Franco’s most far-fetched sexual fantasies, the young gardener says he’ll go along with it, perhaps unaware of how serious his drinking companion is: “Who could have known he really meant what he said?” Like Hurricane Season, this novel is told in long sentences and paragraphs, lending it a fever-dream quality that is, at its most intense, almost sickening. Also like its predecessor, it’s filled with harsh profanity, violence, and disturbing sex; even the most open-minded will find it difficult to read in parts. But there’s nothing exploitative here—it’s horrifying but never gratuitous; Melchor uses shock to lay bare issues of classism, misogyny, and the ravages of child abuse. Her prose, ably translated by Hughes, is dizzying but effective; it’s as if she’s holding the reader’s head and daring them to look away from the social problems she brings to light. This might be a deeply disconcerting novel, but it’s also a brave one.

A fever dream that's as hard to read as it is brilliant.

Pub Date: March 1, 2022

ISBN: 978-0-8112-3132-9

Page Count: 128

Publisher: New Directions

Review Posted Online: Dec. 23, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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SANDWICH

A moving, hilarious reminder that parenthood, just like life, means constant change.

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During an annual beach vacation, a mother confronts her past and learns to move forward.

Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”

A moving, hilarious reminder that parenthood, just like life, means constant change.

Pub Date: June 18, 2024

ISBN: 9780063345164

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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