Absolutely stunning.
A collection of narratives focusing on the dark side of Veracruz.
“To live in a city is to live among stories,” Mexican author Melchor writes in her latest book to be translated into English. But what does she mean by stories? The accounts in the collection—“relatos,” she calls them, or “tales”—are based on real events, she writes, but “have no journalistic claims because they don’t include accurate dates, hard facts or car registration plates…but nor can they be called realist fiction.” Whatever they’re called, they’re extraordinary, each one a portrait of life in Veracruz in the past decades. In “Queen, Slave, Woman,” Melchor tells the story of Evangelina Tejera Bosada, a former queen of Veracruz’s annual Carnival who bludgeoned her sons to death, dismembered them, and placed the remains in a pot on her balcony. Melchor’s observations about the case are fascinating; she writes about the dissonance between Tejera Bosada’s former image as a beloved Carnival queen and her image after the slayings as a coldblooded killer: “Opposing yet complementary archetypes, masks that dehumanize flesh and blood women and become blank screens on which to project the desires, fears, and anxieties of a society that professes to be an enclave of tropical sensualism but deep down is profoundly conservative, classist, and misogynist.” In “The House on El Estero,” Melchor recounts a story told to her by a former partner who visited a supposedly haunted house years before and claims to have come face to face with the devil. Her ex’s story itself is indeed terrifying, but Melchor turns it into a fascinating reflection on the nature of narrative itself. The collection closes with “Veracruz With a Zee for Zeta,” a wrenching story, told in the second person, about the experience of a person who witnesses violence connected to the Los Zetas cartel. The last two paragraphs are a gut punch, some of the most wrenching prose to come around in years. Skillfully translated by Hughes, this is a book that’s as gorgeous as it is dark, and it proves that Melchor is one of the finest writers working today.
Absolutely stunning.Pub Date: April 4, 2023
ISBN: 9780811228053
Page Count: 160
Publisher: New Directions
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
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PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tart meditation on narrative and integrity.
A writer’s meeting with his mentor goes complicatedly awry.
Lerner’s slim fourth novel opens with an unnamed narrator arriving in Providence, Rhode Island, on a magazine assignment to interview Thomas, a professor who’s “among the world’s most renowned thinkers about art and technology.” Just before leaving his hotel, though, he accidentally knocks his phone in a sink, bricking it. His sole means of recording the interview gone, he triages, suggesting that he and Thomas conduct a pre-interview that evening and do a full-dress conversation the next day, after he can get the device fixed. The setup seems thin, but, this being a Lerner novel, rich ethical and philosophical questions fly off it: He’s concerned with the ways that an interview poisons authentic conversation, with our over-reliance on technology, and the moral dilemmas of talking to an unreliable source. (Thomas, 90, seems distracted and sometimes dotty.) Lerner’s true subject isn’t an interview so much as it is misapprehension and miscommunication; after the meeting with Thomas in the first section, the second and third parts are concerned with characters’ failures to understand something about each other, be it a romantic partner’s wishes or a child’s eating disorder. That last challenge makes for some of the most vivid, offbeat, and affecting writing Lerner has delivered—a surprise, given his fiction is typically marked by DeLillo-esque sangfroid. Another surprise is the relative embrace of a conventional story arc, as the narrator faces a reckoning about living in a “deepfake” world. This is slighter fare for Lerner but surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along.
A tart meditation on narrative and integrity.Pub Date: April 7, 2026
ISBN: 9780374618599
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
BOOK REVIEW
BOOK REVIEW
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