by Finn Murphy ‧ RELEASE DATE: June 6, 2017
An entertaining and insightful snapshot of the hauling life.
A moving trucker shares stories from a life on the open road.
Murphy is not your typical trucker. As a moving truck driver, often known as “bedbuggers” hauling “roach coaches,” he describes the strict hierarchy among truckers and how his type are shunned as outsiders. He also touts his middle-class background in suburban Connecticut and his nearly completed education at Colby College, a prestigious liberal arts school in Maine, to distinguish himself from the “cowboy truckers” who think of themselves as living out some modern fantasy of the Wild West. The author even mentions his nickname “The Great White Mover,” which refers to his talent and indirectly to the industry’s widening racial gap. In fact, Murphy decided to leave college a year before graduating (much to his parents’ disapproval) to work full-time in the moving business following his experience of the camaraderie of working with a local company as a teenager. Eventually, the author worked his way up as a driver in the “high-end executive relocation” business, where he routinely makes cross-country hauls for his high-profile clients. Throughout his recollections, Murphy maintains an air of armchair philosopher, imparting common-sense wisdom and morals from three decades behind the wheel. With carefully retold anecdotes that illustrate the minutiae of life as a trucker, Murphy sheds light on this unique subculture. More than anything, he uses the narrative to combat the negative stigma against movers, taking jabs at past customers who slighted him. One story in particular fittingly encapsulates the author’s background and mission: he purposely placed an abusive customer’s antique Chinese gravestones upside down (he took a course in college) to embarrass the owner, who wouldn’t have noticed. Ultimately, the behind-the-scenes appeal of Murphy’s stories fades a bit after several chapters, but they shed light on a world not experienced by most.
An entertaining and insightful snapshot of the hauling life.Pub Date: June 6, 2017
ISBN: 978-0-393-60871-7
Page Count: 256
Publisher: Norton
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
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by Finn Murphy
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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