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GROPIUS

THE MAN WHO BUILT THE BAUHAUS

Engrossing, impressively researched, and keenly perceptive.

A fresh biography of the influential modernist architect who shaped aesthetics from the 1920s to our own time.

Award-winning biographer and design and architecture critic MacCarthy (The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination, 2011, etc.) brings insight and sensitivity to a sweeping, penetrating life of Walter Gropius (1883-1969), founder of the Bauhaus, an experimental community of architects, sculptors, painters, and craftsmen. Established in Weimar in 1919, the Bauhaus, in its early years, was devoted to craft, owing “so very much,” Gropius admitted, to William Morris’ Arts and Crafts movement. Soon, influenced by Constructivist László Moholy-Nagy, who joined the community as a teacher, Gropius changed the emphasis “from the handmade and romantic to the clean-cut and mechanistic,” leading to a “smooth-lined, restrained, subtly geometric” design that became emblematic of Bauhaus style in architecture, furniture, and art. The school attracted brilliant artists as teachers, including Paul Klee, Vasily Kandinsky, Josef Albers, and Marcel Breuer. But there was often conflict among them and, after the Bauhaus moved to Dessau, between the community and “less enlightened members” of the public. Money was a perennial problem, as well; in 1928, Gropius resigned and moved to Berlin, where he aligned himself with a radical group of architects who hoped to go beyond “the design of individual buildings into the economic planning of whole cities.” By 1932, however, architectural innovations faced Nazi artistic censorship, and Gropius was vilified. MacCarthy follows Gropius’ career in Britain and the U.S. after he left Germany in 1935 and, a few years later, became chair of the Department of Architecture at Harvard’s Graduate School of Design, where his students included such eminent architects as I.M. Pei and Philip Johnson. Besides following Gropius’ professional life, the author vibrantly portrays his love affairs, marriages (notably to the turbulent Alma Mahler), the death of his beloved daughter, and his close, sometimes-strained friendships. Altogether, she produces a multidimensional portrait of a towering, complex figure whose ideas, one historian remarked, “reshaped the world.”

Engrossing, impressively researched, and keenly perceptive.

Pub Date: April 15, 2019

ISBN: 978-0-674-73785-3

Page Count: 540

Publisher: Belknap/Harvard Univ.

Review Posted Online: Feb. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • 21


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  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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