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CUCKOO!

A sweet, if uneven, tale.

In something of a variant on Andersen’s “Ugly Duckling,” Cuckoo searches for someone who might understand him.

When the adorable Cuckoo hatches, his family members (obviously not cuckoos) say, “Too-too-weet!” But all he says back is “Cuckoo,” which alienates him from the others. So he bravely leaves to find understanding. Pages of fruitless encounters with animals and people saying different things bring the young bird no closer to companionship, so he goes to school to learn others’ languages. Unfortunately, he hasn’t the gift for others’ gab and is stymied in his efforts. In fact, “Cuckoo was exhausted. His brain hurt from all the learning.” He heads to a rooftop to relax, and from his perch he hears someone calling, “Cuckoo!” It turns out that this call doesn’t come from another bird like him but from a toddler’s cuckoo toy. Lo and behold, the toy has just about worn out, and when it breaks, Cuckoo flies through the window to assume its place. With the dedication announcing “Based on a true story. (Sort of),” readers are invited to speculate about the intended meaning behind Cuckoo’s adventure, but this remains elusive. This is not Andersen’s bird finding his own kind, and Cuckoo’s ultimate role as plaything reads like The Velveteen Rabbit subverted. The endearing, digitally rendered art outshines the story.

A sweet, if uneven, tale. (Picture book. 4-7)

Pub Date: April 10, 2014

ISBN: 978-0-399-16497-2

Page Count: 40

Publisher: Putnam

Review Posted Online: Feb. 18, 2014

Kirkus Reviews Issue: March 1, 2014

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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