It's a simple story that emphasizes fun over substance, but the visuals are so crisp and adorable that they'll appeal to...

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PORKCHOP & MOUSE

More Hello Kitty than Peter Rabbit, this very modern app with minimalist illustrations and clever jokes tucked throughout is a cute, if lightweight, cat-and-mouse story.

Porkchop, a perfectly white cat with a small circle for a body and larger circle for a head (with triangle ears, of course), lives in a house with red wallpaper, doors and hanging lights. He also lives with an infestation of mice: fat, oval mice who've been "nibbling on his doughnuts." Porkchop pursues one mouse out of the house, across a field of spinning flowers, through an autumnal forest, over icy mountains and a desert and through a neon-lit city, among other places. There are visual jokes throughout, like Easter Island statues on one page or a beach book called Great Catsby, but many of them are too subtle, or displayed in such small text that they'll be lost on younger readers. The animation isn't jaw-dropping—it's only used in small portions on each page—but it's effective. Mice eating, birds flying and a giant blue moon spinning are activated with button presses or by flicking a finger. The built-in narration's British-accented take on the material is bright and friendly. An option to record one's own narration is also nicely done; a simple microphone icon appears on each page. Porkchop's chase leads back to the house, where the mice have made a peace offering: a huge pile of donuts to share.

It's a simple story that emphasizes fun over substance, but the visuals are so crisp and adorable that they'll appeal to readers who are looking for less-traditional art styles in their storybooks. (iPad storybook app. 2-8)

Pub Date: Jan. 18, 2012

ISBN: N/A

Page Count: -

Publisher: Ant Hive Games

Review Posted Online: March 5, 2012

Kirkus Reviews Issue: March 15, 2012

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A must-have book about the power of one’s voice and the friendships that emerge when you are yourself.

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THE DAY YOU BEGIN

School-age children encounter and overcome feelings of difference from their peers in the latest picture book from Woodson.

This nonlinear story centers on Angelina, with big curly hair and brown skin, as she begins the school year with a class share-out of summer travels. Text and illustrations effectively work together to convey her feelings of otherness as she reflects on her own summer spent at home: “What good is this / when others were flying,” she ponders while leaning out her city window forlornly watching birds fly past to seemingly faraway places. López’s incorporation of a ruler for a door, table, and tree into the illustrations creatively extends the metaphor of measuring up to others. Three other children—Rigoberto, a recent immigrant from Venezuela; a presumably Korean girl with her “too strange” lunch of kimchi, meat, and rice; and a lonely white boy in what seems to be a suburb—experience more-direct teasing for their outsider status. A bright jewel-toned palette and clever details, including a literal reflection of a better future, reveal hope and pride in spite of the taunting. This reassuring, lyrical book feels like a big hug from a wise aunt as she imparts the wisdom of the world in order to calm trepidatious young children: One of these things is not like the other, and that is actually what makes all the difference.

A must-have book about the power of one’s voice and the friendships that emerge when you are yourself. (Picture book. 4-8)

Pub Date: Aug. 28, 2018

ISBN: 978-0-399-24653-1

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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