It's a simple story that emphasizes fun over substance, but the visuals are so crisp and adorable that they'll appeal to...
More Hello Kitty than Peter Rabbit, this very modern app with minimalist illustrations and clever jokes tucked throughout is a cute, if lightweight, cat-and-mouse story.
Porkchop, a perfectly white cat with a small circle for a body and larger circle for a head (with triangle ears, of course), lives in a house with red wallpaper, doors and hanging lights. He also lives with an infestation of mice: fat, oval mice who've been "nibbling on his doughnuts." Porkchop pursues one mouse out of the house, across a field of spinning flowers, through an autumnal forest, over icy mountains and a desert and through a neon-lit city, among other places. There are visual jokes throughout, like Easter Island statues on one page or a beach book called Great Catsby, but many of them are too subtle, or displayed in such small text that they'll be lost on younger readers. The animation isn't jaw-dropping—it's only used in small portions on each page—but it's effective. Mice eating, birds flying and a giant blue moon spinning are activated with button presses or by flicking a finger. The built-in narration's British-accented take on the material is bright and friendly. An option to record one's own narration is also nicely done; a simple microphone icon appears on each page. Porkchop's chase leads back to the house, where the mice have made a peace offering: a huge pile of donuts to share.
It's a simple story that emphasizes fun over substance, but the visuals are so crisp and adorable that they'll appeal to readers who are looking for less-traditional art styles in their storybooks. (iPad storybook app. 2-8)Pub Date: Jan. 18, 2012
ISBN: N/A
Page Count: -
Publisher: Ant Hive Games
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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