While the writing lacks a subtlety that would suit many of these tales, this volume’s exhaustive approach to elevating queer...
A collection of short stories examines the diversity of global LGBTQ communities and their common challenges.
Pathan’s (Classics, 2017, etc.) incredibly varied collection of 21 stories covers the gamut of LGBTQ issues and the hurdles individuals face. Spanning different generations and cultures, the book takes readers around the world to illustrate that queerness and gender fluidity are not restrained by borders. In England, principal Margery must confront her own prejudices and a growing mob mentality against a young transgender student; in 1950s India, the young Sreekanth tries to escape an arranged marriage to be with another man; and in modern-day Bangkok, Poi works tirelessly to teach safe-sex practices and distribute condoms to the Kathoeys—more commonly known as “ladyboys.” It’s a remarkably inclusive approach to an already broad subject, and Pathan highlights the somewhat lesser-known topics of asexuality and intersex identities with the tender tales “isher” and “(a)sexual story.” As a nod to those well-versed in queer literature, the author has thrown in plenty of references to her inspirations, peppering the book with Oscar Wilde quotes and having characters read Christopher Isherwood or Radclyffe Hall. Pathan also tackles one of the most volatile topics for not just LGBTQ communities, but also the entire world with the tense tale of Salam, Akram, and Nafisa—a gay couple and their Jewish female friend who are trying to hide from Islamic State group rule in Syria. That story, “people of raqqa,” is the collection’s clear standout. But in its final lines, the tale also suffers from a consistent issue—too many moments feel contrived or unnatural for the characters. Pathan often follows a pattern: introduce an LGBTQ issue, bring in some form of bigotry, and then rush to conclude with a terrible act of violence. This problem is most evident in “the books on his lap,” in which an elite NYU professor murders his own child after learning he has befriended lesbians. Although the story offers one of the compendium’s many preposterous twists, readers should still appreciate Pathan’s underlying point that intolerance and danger lurk where they are least expected.
While the writing lacks a subtlety that would suit many of these tales, this volume’s exhaustive approach to elevating queer issues remains commendable.Pub Date: Nov. 30, 2017
ISBN: N/A
Page Count: 428
Publisher: Fiza Pathan Publishing
Review Posted Online: Jan. 16, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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