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THE PHANTOM OF THOMAS HARDY

A sporadically insightful, intermittently entertaining blend of memoir, literary history, and fabulist speculation.

A man and his wife, Americans, go to England to visit sites associated with the writer Thomas Hardy; while there, the man sees Hardy in an apparition: “Something I missed,” the phantom whispers.

The man, like the author of this novel, is named Floyd. Like the author, too, the character Floyd has a wife, a grown daughter, and a cognitive deficiency—the result of a virus that targeted his brain a few decades earlier. In his new book, Skloot (Revertigo: An Off-Kilter Memoir, 2014, etc.) has tossed together a salad of fictionalized memoir, Hardy biography, and travelogue. Floyd takes off after the Hardy phantom. It turns out this isn’t Floyd’s first “Visitation” (his term); in the past, he’s been “Visited” by Freud, Bach, and Nabokov, among others. Somehow, though, this Visit is different, so Floyd sets up an impromptu investigation. What, exactly, is that “something” that Hardy missed? Something to do with his love life, surely. As Floyd and his wife, Beverly, visit Hardy’s home, birthplace, and other landmarks, they reflect on his tumultuous relationships, gossiping with local Hardy aficionados as they go. Gradually, the reason for Floyd’s ongoing Hardy obsession becomes clear: it turns out that he’s grieving the recent death of his mentor, a college professor who first turned him on to Hardy’s work and, at the same time, inspired Floyd to find his own voice as a writer. But there’s another facet to this search. As Skloot writes, “the chance to make sense of Hardy’s strangeness and struggle gave me a chance to make sense of my own. I was engaged in an ongoing process of learning to live as a brain-damaged man and resist neurological disintegration.” The unfortunate end result is at times sentimental, at other times tedious. The narrative is dragged down by the inclusion of not-entirely-crucial and ultimately uninteresting details: the photos Floyd and Beverly snap, the naps they take in the afternoons, and so on. The passages on Hardy’s life and work veer into blatant speculation, a shaky foundation that doesn’t support the conclusions Skloot draws.

A sporadically insightful, intermittently entertaining blend of memoir, literary history, and fabulist speculation.

Pub Date: Oct. 27, 2016

ISBN: 978-0-299-31040-0

Page Count: 184

Publisher: Univ. of Wisconsin

Review Posted Online: July 31, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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IS THERE STILL SEX IN THE CITY?

Sometimes funny, sometimes silly, sometimes quite sad—i.e., an accurate portrait of life in one's 50s.

The further adventures of Candace and her man-eating friends.

Bushnell (Killing Monica, 2015, etc.) has been mining the vein of gold she hit with Sex and the City (1996) in both adult and YA novels. The current volume, billed as fiction but calling its heroine Candace rather than Carrie, is a collection of commentaries and recounted hijinks (and lojinks) close in spirit to the original. The author tries Tinder on assignment for a magazine, explores "cubbing" (dating men in their 20s who prefer older women), investigates the "Mona Lisa" treatment (a laser makeover for the vagina), and documents the ravages of Middle Aged Madness (MAM, the female version of the midlife crisis) on her clique of friends, a couple of whom come to blows at a spa retreat. One of the problems of living in Madison World, as she calls her neighborhood in the city, is trying to stay out of the clutches of a group of Russians who are dead-set on selling her skin cream that costs $15,000. Another is that one inevitably becomes a schlepper, carrying one's entire life around in "handbags the size of burlap sacks and worn department store shopping bags and plastic grocery sacks....Your back ached and your feet hurt, but you just kept on schlepping, hoping for the day when something magical would happen and you wouldn't have to schlep no more." She finds some of that magic by living part-time in a country place she calls the Village (clearly the Hamptons), where several of her old group have retreated. There, in addition to cubs, they find SAPs, Senior Age Players, who are potential candidates for MNB, My New Boyfriend. Will Candace get one?

Sometimes funny, sometimes silly, sometimes quite sad—i.e., an accurate portrait of life in one's 50s.

Pub Date: Aug. 6, 2019

ISBN: 978-0-8021-4726-4

Page Count: 272

Publisher: Grove

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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SO FAR FROM GOD

Chicana writer Castillo (whose reputation until now has been mostly regional) brings a warm, sometimes biting but not bitter feminist consciousness to the wondrous, tragic, and engaging lives of a New Mexico mother and her four fated daughters. Poor Sofi! Abandoned by her gambler husband to raise four unusual girls who tend to rise from adversity only to find disaster. ``La Loca,'' dead at age three, comes back to life—but is unable to bear the smell of human beings; Esperanza succeeds as a TV anchorwoman—but is less successful with her exploitative lover and disappears during the Gulf War; promiscuous, barhopping Caridad—mutilated and left for dead—makes a miraculous recovery, but her life on earth will still be cut short by passion; and the seemingly self-controlled Fe is so efficient that ``even when she lost her mind [upon being jilted]...she did it without a second's hesitation.'' Sofi's life-solution is to found an organization M.O.M.A.S. (Mothers of Martyrs and Saints), while Castillo tries to solve the question of minority-writer aesthetics: Should a work of literature provide a mirror for marginalized identity? Should it celebrate and preserve threatened culture? Should it be politically progressive? Should the writer aim for art, social improvement, or simple entertainment? Castillo tries to do it all—and for the most part succeeds. Storytelling skills and humor allow Castillo to integrate essaylike folklore sections (herbal curing, saint carving, cooking)—while political material (community organizing, toxic chemicals, feminism, the Gulf War) is delivered with unabashed directness and usually disarming charm.

Pub Date: April 17, 1993

ISBN: 0-393-03490-9

Page Count: 256

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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