In this bad version of a bad idea, the richly developed classic novel has been squeezed into the picture-book format. Resembling the bald summary of an opera plot, the story in its reduced state is all but a clichÇ: An orphaned girl finds a neglected garden and a neglected cousin and restores them both with the aid of the housemaid’s young brother. Collier’s full-color paintings take advantage of the opportunities for flora and fauna as the garden responds to cultivation and to the turning seasons, but the children’s figures seem pasted into the space, and the scenes lack warmth. (Picture book. 4-8)
Pub Date: May 31, 1998
ISBN: 0-06-027853-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
BOOK REVIEW
A common childhood experience, conveyed with an uncommon mix of sensitivity, mirth, and heart.
After accidentally breaking a relative’s treasured possession, a child worries about facing the consequences.
While playing with Mimi the cat, Mei Mei, a youngster of Chinese descent, bumps a table and smashes a cup belonging to Ama (Grandmother). Mei Mei runs off, terrified. But Ama isn’t mad; she blames the incident on Mimi and sets about serving tea. Will Mei Mei get away with it? No, Mei Mei’s guilty conscience makes enjoying Ama’s cake impossible, especially with Mimi’s accusing stares. Mei Mei runs off to hide in the closet. When the youngster finally comes clean, Ama reveals that she has a talent for fixing things. She points out that “every patch and every repair tells a story.” Her favorite cup now has a rich story to tell. Fang’s digitally colored pencil artwork uses an innovative mix of compositions to advance the narrative’s emotional arc. Mei Mei’s vivid imaginings (“What if Ama yells at me? What if Ama kicks me out?”) are depicted in panels, while well-placed close-ups and dramatic perspectives capture the child’s inner turmoil with cinematic flair; an especially effective scene intercuts Mimi’s silently judgmental face with images of the cake. Laudably, Fang makes room for both laugh-out-loud humor and moments of genuine empathy; rife with homey details, her softly rounded illustrations exude warmth.
A common childhood experience, conveyed with an uncommon mix of sensitivity, mirth, and heart. (Picture book. 4-8)Pub Date: Oct. 14, 2025
ISBN: 9781774882009
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
Emotionally stunning.
A young girl misses her urban home by the sea but soon discovers an unlikely friend who helps her to adjust.
After Katherena and her mom settle into their new rural home, Katherena visits the neighboring house and meets aging neighbor Agnes, an artist who works in clay. The seasons flow one into another. Katherena draws what she sees and grows ever closer to Agnes. Agnes tells Katherena about her art and about rural life; Katherena shares Cree words with Agnes. By the time it is fall, she’s helping Agnes in her garden. However, by winter, Agnes has become too weak to be outside much. Katherena and her mother make a salmon stew that Katherena takes over for Agnes and her daughter to enjoy. When spring returns again, Agnes continues to weaken, but Katherena has a plan to help her friend enjoy spring without going outside. Flett’s simple story explores the difficulties of moving but also shows young readers how new friends can sometimes ease them; that this friendship is an intergenerational one between fellow artists is an especially sweet touch. Flett (Cree/Métis) employs her characteristically minimalist style, placing Katherena against flat expanses of greensward that changes with the seasons, birds wheeling above in silhouette. Katherena and her mom both have brown skin and straight, black hair; Agnes has brown skin as well, but she does not speak Cree.
Emotionally stunning. (Picture book. 5-8)Pub Date: Sept. 24, 2019
ISBN: 978-1-77164-473-0
Page Count: 48
Publisher: Greystone Kids
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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