Proficient, but too heavily based on Astor’s own memoir, Footprints (1980), to be terribly revelatory—or interesting.
Former New Yorker editor Kiernan (Seeing Mary Plain, 2000) pussyfoots around the life of New York philanthropist, society lady and writer Brooke Astor.
Reading this cautious bio of her tantalizing talents at garnering men, money and causes, it becomes apparent that the beloved grand dame was wily as well as charming in her heyday. (She’s still alive, but frail and secluded at age 105.) The only child of a respectably middle-class career officer, Brooke Russell spent her childhood overseas, roving from Hawaii to China to Washington, D.C., where she attended Miss Madeira’s School. Her mother’s ambition for her reached no higher than marrying a rich man, and by age 16 she was finished with school and faced with a suitor: wealthy Princeton senior Dryden Kuser, who turned out to be alcoholic and abusive. The couple endured ten unhappy years and produced one child, Tony, before Dryden asked for a divorce so he could marry another woman. Brooke soon wed longtime admirer Charles “Buddie” Marshall, a well-connected stockbroker who first had to extricate himself from his own marriage. They lived grandly and happily for 20 years, during which Brooke began work as an editor and writer at House and Garden. After his death in 1952, however, his widow discovered that Buddie’s punitive divorce settlement meant she inherited only a modest income. Not to worry: Within six months, aging moneybags Vincent Astor had proposed, encouraged by his current wife Minnie, who figured she’d get a better divorce settlement from the odious creature if he’d found someone new. His death in 1959 made Brooke marvelously wealthy and the head of the Vincent Astor Foundation. She became a famous philanthropist in her own right, generously supporting the Bronx Zoo, the Metropolitan Museum of Art and the New York Public Library, among many other venerable institutions.
Proficient, but too heavily based on Astor’s own memoir, Footprints (1980), to be terribly revelatory—or interesting.Pub Date: May 21, 2007
ISBN: 978-0-393-05720-1
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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