The pleasurable descriptions of colors and tastes and various Italian tourist destinations, plus the poetry written by the...

WOMEN IN SUNLIGHT

Wish fulfillment of every kind awaits a group of aging American women—and the reader of this book—in a fictional Tuscan town.

Wouldn’t it be nice to live in a world of gorgeous flowers, delicious food and wine, and dear friends who keep getting better all the time while you fulfill your deepest creative potential, escape the pain of your past, get a hot new boyfriend, and learn that your few remaining problems have resolved themselves? Mayes (Under Magnolia, 2014, etc.) has just the spot for you. It’s called San Rocco, and it's where Camille, Julia, and Susan decide to live instead of the Chapel Hill, North Carolina, retirement community where they first met. Instead of purchasing condos at this dull place, they rent an Italian villa for a year. Their new place is right next door to the home of more established expats, a successful author and her architect husband. At first the writer turns up her nose at the visitors, but as it turns out, they will all have the best year of their lives, and she will write a book about it. To be honest, a reader could almost skip 50 pages in the middle of Mayes' novel without even realizing it, because there is only the merest whisper of a plot. It takes too long to be able to tell the women apart, and the way the narrative switches between numerous points of view, both first- and third-person, doesn’t help. But in the end, none of this matters at all. Open to any page and begin: “He also brought some Sardinian pecorino called Fiore di Monte that Julia raves about and keeps slicing and piling onto a board with slivers of focaccia, olives she baked with hot peppers, and lemon peel. They’re in no rush for dinner.” Who would be?

The pleasurable descriptions of colors and tastes and various Italian tourist destinations, plus the poetry written by the writer character, the gardens planted by the gardening character, and the handmade paper made by the paper-making character, etc., are enough to keep this party going all year long.

Pub Date: April 3, 2018

ISBN: 978-0-451-49766-6

Page Count: 448

Publisher: Crown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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