An absorbing inquiry into a legendary artist and his techniques.
The science of light and shadow illuminates Leonardo da Vinci’s revolutionary art.
University of Virginia art historian Fiorani’s sparkling second book explores how Leonardo’s love of science informed his art. Intimately capturing the artistic, religious, and cultural landscape of Leonardo’s world, the author traces his development as an artist from his early apprenticeship days to the lessons he learned as he painted his greatest works and up to his posthumous legacy. In his book The Lives, Giorgio Vasari’s influential portrait of Leonardo “discredited” Leonardo’s “science of art,” ruining Leonardo’s reputation for years. Throughout, Fiorani’s detailed attention to Leonardo’s notebooks show how much his interests in art and science were interwoven. He produced a handful of paintings, many unfinished, but some 4,100 notebook pages filled with notations, sketches, and technical and shadow drawings. The author notes that in his late 30s, Leonardo’s interest in the world of art shifted to focus on science and philosophy, especially optics and the “subtle pattern of shadows” on objects. His earliest works were studies of drapery, and his innovative Florentine teacher, Andrea del Verrocchio, taught him to “carefully observe each fold and to capture the effect of shifting light.” Fiorani effectively describes Leonardo’s experiments with paints that allowed him to “achieve an astounding variety of optical effects” in his first solo painting, the Annunciation. With his “stunning” portrait Ginevra, he aspired to capture not just a young woman’s beauty, but also her soul and a “new way of painting.” Adoration, which he left unfinished, “forced him to rethink what he knew and did not know about the science of optics” while Virgin of the Rocks was a “masterpiece of optics.” Last Supper, which began to deteriorate shortly after he finished it, is “perhaps the saddest example of Leonardo pushing experimentation too far.” Mona Lisa remained unfinished as well.
An absorbing inquiry into a legendary artist and his techniques.Pub Date: Nov. 17, 2020
ISBN: 978-0-374-26196-2
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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