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WELL, THAT ESCALATED QUICKLY

MEMOIRS AND MISTAKES OF AN ACCIDENTAL ACTIVIST

An admirable exploration of the rapidly morphing boundaries of social mores and online outrage; the author helpfully points...

The host of MTV’s web series Decoded chronicles her difficulties navigating the early days of social media and her evolution as an advocate for social justice.

Ramsey has a solid media platform: A comedian, actress, and blogger, she was a writer and correspondent for the Nightly Show with Larry Wilmore and has been featured on NPR, the BBC, and Anderson Cooper 360. With a program in the works with Comedy Central, the author offers her story as an illustration of why, in today’s overheated social and political environment, it is more important than ever to pay close attention to how we communicate with each other. Early on she admits that she is a product of social media: “I have a long and complicated history with the internet. I basically grew up online.” She built her first website while still in middle school. By high school, she had purchased her own domain name and began blogging. Ramsey was an early fan of YouTube and began making videos for fun. “I know the exact date I went from being a nobody, minding my own business in my corporate retail job,” she writes, “to being ‘internet famous’—and inadvertently making a lot of girls cry.” That moment came after she posted a video, “Shit White Girls Say…to Black Girls,” which went “super-massive, mainstream-news viral.” Ramsey’s narrative is a snappy mix of the funny, sad, and horrifying incidents that have shaped her life, many of which demonstrate lessons that can apply to a wide variety of modern-day readers. For the unwoke among us, Ramsey thoughtfully includes “Franchesca’s Simple Explanations of Not-So-Simple Concepts,” a “social-justice glossary” that includes definitions of such terms as “gender binary,” “cisgender,” “Latinx,” and “Slacktivism.”

An admirable exploration of the rapidly morphing boundaries of social mores and online outrage; the author helpfully points the way toward better communication.

Pub Date: May 22, 2018

ISBN: 978-1-5387-6103-8

Page Count: 256

Publisher: Grand Central Publishing

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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