THE END OF HISTORY AND THE LAST MAN

In 1989, The National Interest published "The End of History?" by Fukuyama, then a senior official at the State Department. In that comparatively short but extremely controversial article, Fukuyama speculated that liberal democracy may constitute the "end point of mankind's ideological evolution" and hence the "final form of human government." Now Fukuyama has produced a brilliant book that, its title notwithstanding, takes an almost entirely new tack. To begin with, he examines the problem of whether it makes sense to posit a coherent and directional history that would lead the greater part of humanity to liberal democracy. Having answered in the affirmative, he assesses the regulatory effect of modern natural science, a societal activity consensually deemed cumulative as well as directional in its impact. Turning next to a "second, parallel account of the historical process," Fukuyama considers humanity's struggle for recognition, a concept articulated and borrowed (from Plato) by Hegel. In this context, he goes on to reinterpret culture, ethical codes, labor, nationalism, religion, war, and allied phenomena from the past, projecting ways in which the desire for acknowledgement could become manifest in the future. Eventually, the author addresses history's presumptive end and the so-called "last man," an unheroic construct (drawn from Tocqueville and Nietzsche) who has traded prideful belief in individual worth for the civilized comforts of self-preservation. Assuming the prosperity promised by contemporary liberal democracy indeed come to pass, Fukuyama wonders whether or how the side of human personality that thrives on competition, danger, and risk can be fulfilled in the sterile ambiance of a brave new world. At the end, the author leaves tantalizingly open the matter of whether mankind's historical journey is approaching a close or another beginning; he even alludes to the likelihood that time travelers may well strike out in directions yet undreamt. An important work that affords significant returns on the investments of time and attention required to get the most from its elegantly structured theme.

Pub Date: Jan. 22, 1992

ISBN: 0-02-910975-2

Page Count: 400

Publisher: Free Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 1991

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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