A riveting tale of war that stumbles a few too many times.
The lives of three very different men intersect on an aircraft carrier in this Vietnam-era military thriller.
At the end of 1967, the aircraft carrier USS Ticonderoga is stationed off the Vietnam coast. Onboard are Ogilvy Osborne, a former combat veteran, the ship’s chaplain; Lt. Augustine “Ti” Campbell, a hotshot aviator; and Lt. Robert Cannon, an up-and-coming staff officer. As Campbell flies missions over the Ho Chi Minh trail on the Laos-Vietnam border, Cannon is being groomed for advancement. The only problem: The FBI has taken notice of his fiancée’s anti-war activities at Columbia University. Meanwhile, the war is taking a turn for the worse. North Vietnam’s army attacks the city of Hue during the traditional Tet New Year’s truce then begins a six-month assault on the U.S. Marine combat base at Khe Sanh. Campbell is shot down and suffers horrific deprivation in a prison camp as he plots his escape. Cannon’s temper gets him in trouble with his superiors, threatening to derail his career. Ogilvy transfers to Khe Sanh to minister to the besieged Marines. The author of two previous military thrillers, Partel (The Chess Players, 2011, etc.) served on aircraft carriers from 1965 to ’68. The military details and dialogue are thus impressive, giving palpable authenticity to the story and the characters’ interactions. Partel illuminates not just the war but the internal conflicts of those who had to fight it, from religious doubt to social upheaval. The result is a ripping, visceral read. Unfortunately, the book is held back by some substantial defects. There are several typos and usage errors—e.g., “flaunt” for flout, “deport” for comport, etc.—and the military jargon is often overused and unnecessarily confusing. Also, Heart of Darkness took place in Africa, not the Amazon. More importantly, there is an overreliance on dialogue to carry some of the action scenes; more visual descriptions would better orient the reader. Finally, the religious inner dialogues of Osborne and Campbell often come across as stilted and unconvincing.
A riveting tale of war that stumbles a few too many times.Pub Date: Dec. 1, 2014
ISBN: N/A
Page Count: 357
Publisher: Navy Log Books
Review Posted Online: May 1, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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