A highly creative, illuminating, genre-resisting history.

RED PLENTY

The strange, sad, hilarious story of the Soviet Union’s blind pursuit of a Communist paradise, told through a mix of history and fiction, using both to get to the truth.

Spufford (I May Be Some Time, 2003, etc.) traces the latter half of the history of the Soviet Union, starting in the late 1950s, when the Soviets were seeing an imaginary light over the horizon. After 40 years that included struggle, war, starvation and Stalin, the Marxist dream looked as if it might be taking off under Nikita Khrushchev. The Soviet Union’s economic growth more than doubled that of the United States, and if it kept going at the same rate, the “planned economy” would “overtake and surpass” capitalist America. Cars, food and houses would be better, and there would be more money and leisure all around, thanks to a top-down, start-to-finish management that “could be directed, as capitalism could not, to the fastest, most lavish fulfillment of human needs.” Through a series of episodes involving economists, scientists, computer programmers, industrialists, artists and politicians—some real, some imagined, some drawn together from composites—Spufford tells the story of the life and death of a national illusion, as Utopian dreams moldered into grim dystopian realities. The planned economy was a worker’s nightmare, where production targets increased even as equipment became more and more outdated, and unforeseen, unplanned events—like the sudden loss of a spinning machine at a textile factory—set off a ripple effect of unproductiveness. Pay cuts and scarce commodities led to riots, such as one in Novocherkassk, where the dead bodies were hauled out and the bloody streets were repaved overnight. In his often-whimsical, somewhat Nabokov-ian notes, Spufford freely points out his own inventions, approximations and hedged bets on what might have happened.

A highly creative, illuminating, genre-resisting history.

Pub Date: Feb. 14, 2012

ISBN: 978-1-55597-604-0

Page Count: 448

Publisher: Graywolf

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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