The warmth and humanity of Goldman's storytelling are impossible to resist.
During a five-day visit to his hometown of Boston, a writer attempts to fit together the pieces of his own past, his mother's, and that of her native Guatemala.
"I wish I could remember every single second of my entire life so far, in full 3-D Technicolor and surround sound, and at every past scene re-inhabit myself exactly as I was." This is the yearning of Francisco Goldberg, Goldman's fictional alter ego in an autobiographical novel that touches on some of the same ground as his magical, prizewinning debut, The Long Night of White Chickens (1992). Frankie, as he was called in his youth (along with Monkey Boy and other unpleasantries), has returned to Boston to have dinner with a high school girlfriend, occasioning an avalanche of memories of his classmates' racism, his father's violence, and his breach with his only sister but also sweeter recollections of his relationships with the series of young Guatemalan women who were sent by his Abuelita to help his mother around the house. He arranges to meet with two of them and pays several visits to his mother at her nursing home, a tin of her favorite French butter cookies in hand. They play a very lenient bilingual version of Scrabble as he wheedles out long-missing details about her ancestry, her marriage, other men in her past. His Mamita may not have the memory she once did, but that's not the only reason she hesitates. She's read that first novel of his, too. "This is why I never want to tell you anything, because you take just a little thread of truth and pull on it and out comes a made-up story." Goldman's—or Goldberg's?—immersive, restless narrative style expertly plays the rhythms of thought and remembrance, weaving in his past and current romances, his investigation of and published work on Guatemalan terror, ultimately the quest for a whole made of so many halves: half Jewish, half Catholic, half American, half Guatemalan, half White, half Latino....
The warmth and humanity of Goldman's storytelling are impossible to resist.Pub Date: May 4, 2021
ISBN: 978-0-8021-5767-6
Page Count: 336
Publisher: Grove
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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