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GREEN MOUNTAIN, WHITE CLOUD

A NOVEL OF LOVE IN THE MING DYNASTY

Moments here of fairytale charm, but the air at such high spiritual altitudes may be too rarefied for many Western readers.

Romantic and spiritual love in ancient China occupy this latest (The River Below, 2000, etc.) from the distinguished Chinese author long resident in France.

The story takes place toward the end of the Ming Dynasty (early 17th century), when crime and corruption are rampant. One victim is our protagonist Dao-sheng. As a young violinist, part of a theater troupe, he dares to exchange glances and smiles with the beautiful Lan-ying, betrothed to the tyrannical Second Lord Zhao, who promptly condemns Dao-sheng to exile and slave labor. No matter: those few transforming moments were enough to convince Dao-sheng, a Taoist, that his and Lan-ying’s fates are linked by the shen, the most vital of all spiritual essences. Thirty years pass. The now-grizzled Dao-sheng is a healer and soothsayer who has been living in a mountainside Taoist monastery, and the time is ripe for another approach to Lan-ying. He travels to her city and sets up shop outside a Buddhist temple she frequents. The opportunity comes for Dao-sheng to minister to the sickly Lan-ying, who has been discarded by Second Lord after two miscarriages, forcing her to live in lonely isolation. The invalid remembers the former musician—they are indeed soulmates—and her joy over their reunion is as great as his. Dao-sheng restores her to health and to her former beauty. The contacts between them are delicate and restrained, climaxing with a joining of hands under a full moon, whereupon “the lovers floated into a separate state,” a phrase unfortunately banal-sounding in this translation from the French. Eventually, Second Lord, deathly ill himself after years of debauchery, figures out the situation. He tries to strangle Lan-ying but dies in the process, and she retreats to a convent while Dao-sheng returns to the monastery, sustained by his faith in their undying devotion.

Moments here of fairytale charm, but the air at such high spiritual altitudes may be too rarefied for many Western readers.

Pub Date: April 1, 2004

ISBN: 0-312-31574-0

Page Count: 224

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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