When Cultures Intertwine – The African Way

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When Cultures Intertwine – The African Way

Name: When Cultures Intertwine – The African Way
Author: Francois Van Wyk
ISBN: 978-1483693361

by Francois Van Wyk ‧ RELEASE DATE: Sept. 24, 2013

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Politically engaged characters experience life after apartheid in Van Wyk’s debut novel.

Van Wyk, who grew up in South Africa, firmly grasps the country’s history. The novel seems to waver between fiction and nonfiction and follows two families: One is black and one white, and they have worked side by side for generations on the farm Vergenoeg. Not far into the novel, 65-year-old Andries Mokwebo, a black farmhand, takes legal action against his white employer, Fanie Botha, for rights to the farm. The legal action comes at a time when the country is readily redistributing white-owned farmland to blacks. Andries wants the land so he can secure his teenage son Sephiwe’s financial future, yet he suspects that his actions are unfair to his employer, a good man. Sephiwe, one of the novel’s most believable characters, can understand the moral complexities with which his father and Fanie are grappling, but he’s more interested in his own intellectual curiosities (he muses, “the mystery surrounding the motion of the heavenly bodies serene in its being”) than in his father’s problems. The second narrative arc is about a love affair between a young black, female farmhand, Nandi, and her employer’s son, Koos. Both stories hold interest—at least at first—but the novel stagnates due to long and too frequent exchanges about politics, which are forced and inauthentic. From the relatively uneducated Andries, readers see dialogue like this: “For us all to survive in South Africa and for that matter in Africa, the problems we are faced with must become our collective national challenge. That is the only route for us to take, to save Africa, our fatherland.” Does anybody really talk like this to other family members around the dinner table? The story also often lacks spontaneity because Van Wyk tells too much and shows too little. A well-thought-out narrative made richer by Van Wyk’s opinions and knowledge and poorer by one-dimensional characters and a predictable plot.

Pub Date: Sept. 24, 2013

ISBN: 978-1483693361

Page Count: 308

Publisher: Xlibris

Review Posted Online: Feb. 7, 2014

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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ELEANOR OLIPHANT IS COMPLETELY FINE

by Gail Honeyman ‧ RELEASE DATE: May 9, 2017

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

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A very funny novel about the survivor of a childhood trauma.

At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

Pub Date: May 9, 2017

ISBN: 978-0-7352-2068-3

Page Count: 336

Publisher: Pamela Dorman/Viking

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

Categories:

GENERAL FICTION

- BOOK TO SCREEN
‘Eleanor Oliphant’ Film Adaptation in the Works

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SUMMER SECRETS

by Jane Green ‧ RELEASE DATE: June 23, 2015

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends,...

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Before sobriety, Catherine "Cat" Coombs had it all: fun friends, an exciting job, and a love affair with alcohol. Until she blacked out one more time and woke up in a stranger’s bed.

By that time, “having it all” had already devolved into hiding the extent of her drinking from everyone she cared about, including herself. Luckily for Cat, the stranger turned out to be Jason Halliwell, a rather delicious television director marking three years, eight months, and 69 days of sobriety. Inspired by Jason—or rather, inspired by the prospect of a romantic relationship with this handsome hunk—Cat joins him at AA meetings and embarks on her own journey toward clarity. But sobriety won’t work until Cat commits to it for herself. Their relationship is tumultuous, as Cat falls off the wagon time and again. Along the way, Cat discovers that the cold man she grew up endlessly failing to please was not her real father, and with his death, her mother’s secret escapes. So she heads for Nantucket, where she meets her drunken dad and two half sisters—one boisterously welcoming and the other sulkily suspicious—and where she commits an unforgivable blunder. Years later, despairing of her persistent relapses, Jason has left Cat, taking their daughter with him. Finally, painfully, Cat gets clean. Green (Saving Grace, 2014, etc.) handles grim issues with a sure hand, balancing light romance with tense family drama. She unflinchingly documents Cat’s humiliations under the influence and then traces her commitment to sobriety. Simultaneously masking the motivations of those surrounding our heroine, Green sets up a surprising karmic lesson.

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends, like addiction, may endanger her future.