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THE ENTITLED

A decent book enhanced by Deford’s great, conversational writing style.

Sportswriter and NPR commentator Deford (The Old Ball Game, 2005, etc.) tells a sweet tale about a baseball-team manager, his moody superstar and their moral dilemma.

After decades of good, hard, largely unrecognized work in the trenches, Howie Traveler has finally gotten what he deserves: He’s managing the Cleveland Indians. And he’s doing the pretty good job he always knew he could do. But his golden opportunity is about to evaporate after two years of laying the foundation for a league championship. Jay Alcazar, the Indians’ superstar, the muscle in the team’s lineup, has gone off the tracks. The gorgeous, gifted Cuban is about to get hit with a rape charge, and straight-shooting Howie, who genuinely likes the slugger and has worked hard to earn his trust, holds Jay’s fate in his hands. Howie saw Jay’s accuser trying to leave the ballplayer’s room and saw Jay pull her back and slam the door, but rape doesn’t make much sense to Howie or to anyone. Jay is such a star and so handsome that he never wants for voluntary companionship or sexual satisfaction. He has only to lift an eyebrow, even in a year like this one, when he’s off his stride. The manager, a very canny and very honest guy, is stumped. He knows he was hired to keep Alcazar happy and motivated, he knows that he’s about to be replaced by someone who can motivate the outfielder to resume his winning ways, and he knows that he’s never going to get a chance to manage a team if he gets fired. But rape? How can you wink at that? What he needs to know is why Jay spent a year distracted from his championship form. It all has to do with the circumstances surrounding the player’s birth and subsequent removal from the Socialist Paradise, but Jay seems unwilling to save his own skin. Or Howie’s.

A decent book enhanced by Deford’s great, conversational writing style.

Pub Date: May 1, 2007

ISBN: 1-4022-0896-0

Page Count: 352

Publisher: Sourcebooks

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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