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PIECES OF MY MIND

ESSAYS AND CRITICISM 1958-2002

Any critic who interprets a publisher’s claim that a “lean” book means “very short, especially considering the price” is...

A chronologically arranged series of literary essays by the eminent scholar and critic, “offered indifferently to defense and prosecution, of the way in which a now quite long professional life has been spent.”

Cambridge don Kermode (Shakespeare’s Language, 2000, etc.) never met a Shakespearean soliloquy or a biblical passage that he hasn’t cared to pull apart to see how it ticks. In this lively collection, he sticks to favorite themes worked hard over many years, taking in not only Shakespeare and the Bible, but also moderns such as Auden and Wallace Stevens (“perhaps one could say that Stevens was a better poet than Heidegger and a better philosopher than Hölderin, and so found himself, in a manner, betwixt and between”). Humane and learned, Kermode’s essays carry a lot of weight, to say nothing of circuitous asides and deep allusions; one has the sense throughout that someone who has read every book ever published is at work. Yet Kermode wears his learning lightly, and even takes a few good-natured shots at himself, as when he opens a rather dense piece on the theme of secrets and narrative sequence with the self-effacing remark, “My lecture could be called aridly academic, but I include it as a reminder that in the Seventies I spent much time devotedly doing this kind of thing.” Fortunately, arid academicism for its own sake is seldom on view here. Instead, the reader is treated to splendid considerations of such matters as the rise and fall and rise of Renaissance artist Sandro Botticelli’s renown, and its implications for the making of canons; the meaning of canons in general, and the promise that a canonical work contains “perpetual modernity”; and the twisted politics of writers of the 1930s, to name but a few topics that have taken Kermode’s interest.

Any critic who interprets a publisher’s claim that a “lean” book means “very short, especially considering the price” is worth reading. Another feather in Kermode’s wide-brimmed cap.

Pub Date: Sept. 1, 2003

ISBN: 0-8090-7601-2

Page Count: 448

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2003

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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